Claudia Stöckli ~ Transposed Humidity
Claudia Stöckli describes the political, social and spiritual motivations behind her installation, in which changes in humidity trigger changes in the sound composition. She is joined in this conversation by Mouhssine Bousouiss, a percussionist from the Gnawa community, whose music and healing practices are an integral part of the work.
Artist Bio
Sound artist Claudia Stöckli has been exploring the Anthropocene for over ten years. Her works are hybrids of installation, text, composition, and electronic and polyphonic sounds. Using artistic means, she creates microsystems in which invisible processes become audible. In July 2024, she was artist-in-residence at the Institute for Computer Music and Sound Technology at the Zurich University of the Arts (ZHdK), where she deepened her studies in acoustic ecology. Her installation Transposed Humidity addresses the global increase in humidity due to climate change. She is particularly interested in the effects of rising or falling humidity on a composition. Stöckli regularly collaborates with guest musicians who bring her installations to life through performance.
This podcast series presents conversations and sounds from the 2025 edition of the Klang Moor Schopfe Festival. Each episode features one particular work and is an attempt to capture the underlying philosophies and processes of the artists in their own words, set to recordings of the installations and occasional sonic interventions by the author.
The next edition of the Klang Moor Schopfe festival will take place from Sept 2 - 12, 2027.
Sonic Natureculture: Read, listen and watch more from previous editions of Norient at the Klang Moor Schopfe festival.
Biography
Published on September 09, 2026
Last updated on September 09, 2026
Topics
Why New Yorks’ underground doesn’t give a fuck about Trump or why satirical rap in Pakistan can be life threatening.
From Bangladeshi electronica to global «black midi» micro scenes.
Ecology describes the relationships among living organisms. At Norient, we add sounds and music, asking, for instance: what does a field recording tell about the environment it was recorded?
From Pakistani wrestling practice «kushti» to muezzin singing contests in Turkey.
How does the artits’ relationship to the gear affect music? How to make the climate change audible?