A film without images documenting the authors’ research in Tafraout, Morocco, a village where Paul Bowles recorded an ahwash music performance in 1959. In exchange with local musicians, the two artists engage in listening sessions and sonic experiments.
A violent earthquake destroyed the city of Agadir, Morocco, in 1960. Shot inside the Salam movie theater and its surroundings, the video essay is a tentative reconstitution of the earthquake as a sonic moment.
An experimental film on seaweed and industrial extractivism on the Moroccan Atlantic coast, inviting the spectator into a process of ecological transformation.
This playlist by Magis aka Magista Aristyo consists of tracks from artists and musicians from and near the city of Bandung, Indonesia. The selected music is based on his memories from the city.
Dreamlike states, magical realism, and suspended reality. Enjoy a new mind-bending list of music videos from rural and urban Egypt ranging from light-hearted pop to grim electronic dance music.
Listen to this playlist of various artists from Nairobi, Kenya, and their current releases. Curated by EA Wave (East African Wave) from Nairobi. EA Wave is a producer-driven music label/collective pushing the boundaries of East African art.
Hearing or listening is not a mere execution of the ear’s physiology. It is culturally relative. Yet, whenever hearing happens, the borderland between the audible and inaudible has already been crossed. Read an essay exploring the multiple potentials of acoustic perception.
How one measures time influences how one thinks. In his unedited essay draft, commissioned by the MaerzMusik Festival 2023, the composer Jakob Ullmann reflects on how the mechanical clock in Western Europe has influenced the composition and making of music.
With her series of word pieces «Sonic Meditations», the U.S.-composer Pauline Oliveros proposed a way to cultivate community, self-awareness and emotional health through listening and music-making. Read the first five lessons here.
While working on the collaborative publication «All In It Together», Norient’s editor Philipp Rhensius and Rewire’s context curator Katía Truijen enter into a conversation over email where they strive to learn from the various contributions.
Listen to composer, radio artist, and sound ecologist Hildegard Westerkamp’s audio piece, in which she turns to her archive of sound recordings, inviting us to listen to the environment across time and space.
