And Who Sees the Mystery
In 1959 Paul Bowles recorded an ahwash music performance in the village Tafraout in Morocco. Following the repatriation in 2010 of the Paul Bowles Moroccan Music Collection from Washington DC to Tangier, Gilles Aubry and Zouheir Atbane undertook collaborative research on the reception of these recordings in today’s Morocco.
This film documents the authors’ residency in Tafraout. In exchange with local musicians, the artists deliver an interpretation of the return of these music recordings to their location of origin, including the documentation of listening sessions, discussions, and music sessions. The work examines the micro-politics of invisibility: Paul Bowles as an «invisible spectator»; the veil as a strategy of resistance during the French occupation of Morocco; the Pythagorean curtain of French acousmatic music.
Shot and produced by Gilles Aubry, 2013.
27'01'', HD video
World premiere at ESAV Marrakesh, as part of the exhibition Why Ain’t You Rich if You’re so Smart, 2014.
This video is part of the Norient Online Special Sawt, Bodies, Species, a joint publication with adocs, extending Gilles Aubry’s physical book Sawt, Bodies, Species: Sonic Pluralism in Morocco into a digital publication with additional video and audio materials. The Open Access publication of this book was made possible with the support of the Swiss National Science Foundation (SNSF).
Biography
Biography
Published on May 04, 2023
Last updated on September 18, 2023
Topic
What happens when a Muscovite electronic producer meets Circassian folk musicians? What rules are needed for intercultural cooperation between individuals?