Die Klarinettistin Shabnam Parvaresh beschreibt die Musik ihrer Kindheit und Jugend. Die Erinnerungen an ihr Elternhaus verbinden sich mit geliebten Tonträgern und endlosen Downloads. Was sie als Musikerin noch im Gepäck hatte, entdeckte sie aber erst in Deutschland.
The audiovisual artist Shaahin Peymani and his family share a long history of migration from Iran to Germany and back. Here he maps the route from his German grandmother’s migration diary alongside one of his own compositions.
The audiovisual artist Shaahin Peymani and his family share a long history of migration from Iran to Germany and back. Here he maps the route from his German grandmother’s migration diary alongside one of his own compositions.
A round-up of the cosmopolitan classical musical culture in Iran. Starting with music scholars of the Qajar era (1796–1925) and ending with the global music scene of the 21st century, from both the diaspora and from home.
A poetic encounter with the different family histories of poet Tanasgol Sabbah and bassist Reza Askari. Weaving together experience, memory, and narrative, this piece switches between languages, and allows uncertainty about what is said and what is imagined.
Kamwangi Njue traces the story of political (i.e. conscious) music in Kenya, drawing on his own biography. He asks: Can conscious music achieve the impact it seeks when it has to play in the same sphere as popular music made purely for entertainment?
After growing up in Japan, Sally, a Kenyan teenager, wanted to reconnect with Kenyan music upon returning home, while dealing with the meaning of that term, «home».
Kamau Ngigi aka Kamaa aka Githingithia (Earthquake) is one of the founders of legendary rap trio Kalamashaka, widely regarded as originators of Kiswahili rap in Nairobi. Here, he tells the story of the Nairobi of his day.
Conscious Kiswahili rap gave the youth a voice of protest towards the turn of the millennium. Today, more mainstream popular musicians have joined in, making music with direct critical messages.
A selection of ten music videos from Nairobi from 2020 onwards, plus two older ones by DJ Raph’s algorithm. Some are examples of popular current music addressing heavy political themes, while others are a sort of antithesis.
Nairobi’s West/South C area was the home of the «Boomba» party sound. Now only the bars remain. What happened?
