Die Klarinettistin Shabnam Parvaresh beschreibt die Musik ihrer Kindheit und Jugend. Die Erinnerungen an ihr Elternhaus verbinden sich mit geliebten Tonträgern und endlosen Downloads. Was sie als Musikerin noch im Gepäck hatte, entdeckte sie aber erst in Deutschland.
A round-up of the cosmopolitan classical musical culture in Iran. Starting with music scholars of the Qajar era (1796–1925) and ending with the global music scene of the 21st century, from both the diaspora and from home.
The audiovisual artist Shaahin Peymani and his family share a long history of migration from Iran to Germany and back. Here he maps the route from his German grandmother’s migration diary alongside one of his own compositions.
The audiovisual artist Shaahin Peymani and his family share a long history of migration from Iran to Germany and back. Here he maps the route from his German grandmother’s migration diary alongside one of his own compositions.
A poetic encounter with the different family histories of poet Tanasgol Sabbah and bassist Reza Askari. Weaving together experience, memory, and narrative, this piece switches between languages, and allows uncertainty about what is said and what is imagined.
Kamwangi Njue traces the story of political (i.e. conscious) music in Kenya, drawing on his own biography. He asks: Can conscious music achieve the impact it seeks when it has to play in the same sphere as popular music made purely for entertainment?
Juliani, a self-confessed «musician with a mission», runs a community center in the heart of Nairobi’s poorest district, building on the legacy of conscious rap that began in this part of the city.
Kenyan hip hop has gone through several phases. This mixtape tries as much as possible to identify them through their unifying act of Sheng poetics. These tracks observe, report, criticize, accuse, and protest. Together, they paint a conscious picture of Nairobi.
Nairobi-based artists Kamwangi Njue (7Headc0) and Raphael Kariuki (DJ Raph) remixed conversations between seven Nairobi musicians and Norient’s Thomas Burkhalter, resulting in this compilation album.
Don’t believe the hype. Despite its reputation as a global city, Nairobi is a mostly chaotic, starkly unequal place, with the majority struggling to get by. Emma Nzioka’s photography captures this inequality, accentuated by musical selections by Kamwangi Njue.
After growing up in Japan, Sally, a Kenyan teenager, wanted to reconnect with Kenyan music upon returning home, while dealing with the meaning of that term, «home».
