The austrian artist Soap&Skin makes highly dialectic music. In her self made video with grainy black-and-white images of the song «Sugarbread» she invokes nothing less than the cleansing power of the apocalypse.
In this experimental podcast Ethiopian producer Endeguena Mulu speaks about what makes him feeling lonely as an African and Ethiopian artist, the access to the digital World, and traditional music.
In «Libres» Argentine producer Moro is bridging the Atlantic slave trade with the current refugee crisis. The main element of the track is a sample of chain sounds, transformed into a historically meaningful rhythm.
In the 21st century, the world’s musical hits and trends are often created in bedrooms, where musicians exchange files online without meeting. But can a bedroom producer change the world?
Although it's been labeled as an afro-futuristic project and also comes along as such through an eclectic and futuristic sound collage, fashion, photography, and music videos, «Alien Cartoon» by Senegalese producer Ibaaku is deeply rooted in place.
Im Film «Bonfires and Stars» trifft ein Moskauer Electronica-Musiker auf tscherkessische Volksmusiker. Statt des erwarteteten «Culture Clash» entsteht eine Kollaboration auf Augenhöhe, die jedoch nicht konfliktlos ist.
On his new album «Ecologies II: Ecosystems of Excess», J.G. Biberkopf explores the way global politics shape ecosystems. Norient talked to him about looking for a political stance in a troubled world and the exploitation mechanisms of art institutions.
Baile Funk ist eine brasilianische Hip Hop-Variante mit hypersexualisierten Lyrics und energetischen Tänzen. Er stammt aus den ärmsten Vierteln einer der schönsten, aber auch gefährlichsten Städte der Welt: Rio De Janeiro.
In some Jamaican jails, prisoners can join a music-focused rehabilitation program. The award winning documentary «Songs of Redemption» is a fascinating portrait about the power of music. An interview with the co-director Amanda Sans.
The electronic musician FIS combines broken rhythms derived from somnambulant drum & bass and cinematic melodies with notions of a futurist naturalism. Martyn Pepperell talked to him about noise, permaculture and perfect harmony.
