Jamaican musician Lee Perry, inventor of dub music, and Swiss producer Dubkoaj, inventor of the genre «Alpine dub» met for a session. Some thoughts about this special encounter.
In this playlist by Argentinian musician Leandro Ramírez aka El Murki we dive into the experimental sounds of the musical underground of Buenos Aires and its surroundings. All tracks belong to artists that he respects a lot and that influenced him in many ways.
With his project, Koeosaeme, Japanese artist Ryu Yoshizawa draws on the sonics of abstract electronics to create a spellbinding sense of controlled chaos. Listen to his new mix on experimental artists that have influenced him. Presented by Norient.
A group of students, musicologists, and musicians at the Humboldt University of Berlin aimed to reach out to contemporary artists from underground scenes in Pakistan. An interview with Anaasir aka Alien Panda Jury about his hybrid music project «Mandal».
Im Buch «Kultsounds – Die prägendsten Klänge der Popmusik 1960-2014» geht der Pianist, Komponist und Wissenschaftler Immanuel Brockhaus auf die Suche nach prägenden Einzelsounds der Popmusikgeschichte.
The Estonian musician Ratkiller is a master of intertextuality. His recent album «Dreamhammer» is full of samples from different sources: from Death Metal to 1980s Funk or porn movies. A review comment.
In their self-produced podcast the Finnish underground punk band Olimpia Splendid talk about existential loneliness, the economic depression, their own DIY approach, and their music video «Jukka-Pekka».
It is the very discrete mixture of samples, jazz vocals, folk spirit, live instrumentation and experimental electronics that characterizes the weird and beautiful song sketches of interdisciplinary artist Yatta Zoker from Brooklyn, NY.
Seit sechs Jahren findet das Chale Wote Street Art Festival in Accra statt – und ist ein Ort der radikalen Inklusion. Das kostenlose Event in Ghanas Hauptstadt zeigt moderne Kunst auf der Strasse statt in schicken Galerien.
There has always been a compulsive instinct to locate music geographically. But didn't it stand for a world without borders? The new album of the club music producer Nídia could decolonize music with hyperactive, hybrid and bass-heavy sounds.
