The metropolis Hong Kong is a world finance and multi-cultural capital. But when it comes to culture, local artists call it an «art desert». Yet, the underground club music scene is working on a change.
Im Video zum Stahlberger-Song «Du verwachsch wieder nume...» verwischt Regisseur Jovica Radisavljevic die Grenzen von Realität und Wahn. Hier erzählt er, wie es dazu kam und was es heisst, mit Minimal-Budget maximal kreativ zu sein.
In this interview Norient asked Eduardo Navas, one of the main scholars theorizing the phenomenon of remix, to clarify some of his points and to talk about algorithms, the surplus of remix studies, and cultural appropriation.
Iraqi-Canadian rapper The Narcicyst knows how it feels to be young and Muslim in a post-9/11 world. Today, he considers himself a world citizen and aims for an individual identity that includes his origin, his home, and his community.
Ethnomusicologists used to travel to exotic islands to research local music. Today, their fieldtrips lead to scattered urban place. German scholar Oliver Seibt conducted three months of research in the Tokyo visual-kei scene, and stood out of the crowd.
The digitalization took away the centralized power of the music industry, but for some people it also became a secret tunnel out of prison. For the underground music scene in Cairo, digitalization was an avenue of freedom – well, at least for a while.
«Das Internet ist nicht demokratisch», sagt Andreas Ryser, Präsident des Musikverbands IndieSuisse. Und in sozialen Netzwerken bestimme das Geld, welche Musik gefunden werde. Doch die Digitalisierung birge auch Chancen für die Finanzierung von Musik.
To belong to a place, a country, or a city is an old fashioned way to live in a world of multi-sited modernities. Instead, we create our belonging through friends, information, images, and sounds across the globe. A «belonging» mix by Slugabed.
Swiss-Ghanaian singer and musician Joy Frempong of the duo OY made a trip to Southern and Western Africa to collect sounds and stories for their music. She tells us how she re-works these samples and what she is sometimes worries about.
Music is more than just melodies and rhythm. It has a guttural level, and contains sound that is free from symbolic meanings. The singer Audrey Chen is obsessed with these acoustic materialities and creates a sonic language with her voice.
The Serbian sound artist has remixed material from the section of «desire» from the Norient exhibition «Seismographic Sounds». A mix full of humor, but also with some deep thoughts on discrimination, sexuality, and individualism.
