Visceral Sounds: Billy Roisz
At Klang Moor Schopfe 2021, Philipp Rhensius created 12 experimental audio essays. Listen to a podcast inspired by the sound installation of Billy Roisz.
Recording, additional composition and script by Philipp Rhensius aka Alienationist
These experimental audio essay podcasts were created by Norient curator and sound artist Philipp Rhensius aka Alienationist in autumn 2021 as part of a residency at Klang Moor Schopfe 2021. Each piece refers to one sound installation exhibited there while going beyond it, merging Rhensius’ own sound art, poetry, interviews, and musical compositions.
Biography
Philipp Rhensius is an editor for Norient, writer, musician, sound artist, sociologist & musicologist, and curator from Berlin. His work investigates the connections between the micro- and macro-political and is driven by the idea that «feeling the chains» is the moment when emancipation begins. His music and sound art projects (
Kl.ne,
aphtc, Alienationst) merge sonic fiction with sardonic poetry and visceral sound. His texts are published in i.e. Taz, Spex, FAZ, Neue Zürcher Zeitung, WOZ and several book volumes. He runs the music label
Arcane Patterns and hosts a monthly podcast on Noods Radio. Follow him on
Instagram, his
Website, or
LinkedIn.
Biography
Billy Roisz, since the late 1990s, dealt intensively with video and sound. Her work focuses on the links and gaps between visual and auditive perception. Roisz questions the interaction between sound and image, the interchangeability or unity of the electromagnetic signal in the generating machines which creates image or sound. The realisation of her experiments takes place in live performances, single screen works and audiovisual installations, solo or in collaboration with musicians of experimental music and noise as well as composed new and old music, dance and theatre. Follow her on
Youtube, and
Bandcamp.
Published on November 19, 2021
Last updated on March 26, 2024
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