A conversation with the Delhi-based ensemble Chaar Yaar / Faqiri Quartet about the ensemble, language, translation, Sufi poetry, listening to histories, and songs of love, joy, and collectivity in times of divisiveness.
Dawn choruses recorded in different parts of the capital city of Delhi, India, are composed into a soundscape that unravels the contradictions thriving in a city just as it wakes up.
Episode 15 of the «TIMEZONES» podcast series offers insight into the uncompressed underground music scene in Kampala, Uganda, shaped by many inspiring and upcoming artists.
How does wood sound? This is one of the questions in Andi Otto’s interactive sound installation at Klangmoorschope 2023. Listen to an audio essay in which he discusses his way of relating to the environment with sound.
Istanbul: the bridge between West and East. This list is curated to show another side of the most populated Turkish city, the one that doesn’t make the headlines. Enjoy a diverse selection of music from bone-crushing metal to piercing rap.
In their sound installation for Klang Moor Schopfe, the collective Zaira Oram explores the notion of the apocalypse. Listen to an audio essay featuring the collective’s initiators Francesca Ceccherini and Eleonora Stassi.
When our playlist curator began performing, the Delhi indie scene consisted of not more than a handful of women who dared to write and perform music in a largely male-dominated space. The handful grew over the years. This playlist pays tribute to the womxn of Indie Delhi.
Challenging the perception of its listeners is at the core vision of the collective Encor Studio. Listen to an audio essay in which they discuss their site-specific installation «Adsum» which creates moments of pure presence.
The first form of communication was not language but vibration. Listen to an audio essay featuring the biologist Juan José López and sound artist Ludwig Berger who sonify species that soon threaten to become completely extinct – if we don’t listen.
So-called naff music is considered as lacking in style or taste. It’s not the kind of music you’d claim to be a fan of, but Alex Rigotti finds it to be a hidden side of national British identity.
One day, when sitting in an angkot minivan in Bogor, our writer had a weird encounter that made her ears ring; it was funkot, a mix of gabber and Indonesian folk. An essay inspired by the music of Animistic Beliefs who will perform at MUTEK festival 2023.
