In this short essay, Rabea Hajaig recalls his experience as a Friday-night DJ at Bardo, the famous, now closed, queer bar in Beirut, Lebanon, its dance floors awash with a complex interplay of music.
Producer, DJ, radio host, and label owner Ziad Nawfal presents a moving mixtape which bids farewell to his native city of Beirut. True to his mission of promoting music from Lebanon, Nawfal includes some of his favorite local musicians, interspersed with field recordings.
Field recordings and sampling are at the center of this short essay in which performer and music producer Jana Saleh explains why her inability to use recordings of Beirut’s momentous events has led her to think differently about musical composition.
The Indonesian summer is very hot. It’s when our writer shelters at home listening to music, only to realize that the state between slumber and consciousness can not be as innocent as it used to be.
Listen to this playlist of artists from Durham and their current releases. This selection by Durham-based artist Debt Stalker is a collection of tracks that compliment both the physical terrain of the city and the ever-changing DIY electronic music scene in the region.
Listening to live music outside can be a life changing experience. For our author, it set nothing less than the pathway of his life.
Listen to this playlist of artists from Montevideo and their current releases. With his selection of talented artists, Montevideo-based music producer and DJ Pobvio attempts to show the diversity of the Uruguay underground music scene.
Listen to this playlist of artists from New York and their current releases. It’s a selection of things that NYC-born and based sound practitioner Geng PTP has been returning to, over and over again.
With the ongoing Russian invasion of Ukraine, our Poland-based writer realized that much of her favorite experimental music that was considered Russian is actually from Ukraine. Did she unwittingly practice «musical imperialism»?
A round-up of the cosmopolitan classical musical culture in Iran. Starting with music scholars of the Qajar era (1796–1925) and ending with the global music scene of the 21st century, from both the diaspora and from home.
Die Klarinettistin Shabnam Parvaresh beschreibt die Musik ihrer Kindheit und Jugend. Die Erinnerungen an ihr Elternhaus verbinden sich mit geliebten Tonträgern und endlosen Downloads. Was sie als Musikerin noch im Gepäck hatte, entdeckte sie aber erst in Deutschland.
