This poetic text by Carine Doumit is inspired by «The Night Came About», a film co-written by the author and filmmaker Mira Adoumier. It recounts the fictional encounter of two characters from the film, following an equivocal transformation of Beirut at night.
Ten music videos that can give you a sense of the breadth of musical genres coming from Beirut, Lebanon and the diaspora today. The selection focuses on productions made from 2020 to 2022, all of which explore personal or political matters.
The Indonesian summer is very hot. It’s when our writer shelters at home listening to music, only to realize that the state between slumber and consciousness can not be as innocent as it used to be.
Listen to this playlist of artists from Durham and their current releases. This selection by Durham-based artist Debt Stalker is a collection of tracks that compliment both the physical terrain of the city and the ever-changing DIY electronic music scene in the region.
Listening to live music outside can be a life changing experience. For our author, it set nothing less than the pathway of his life.
Listen to this playlist of artists from Montevideo and their current releases. With his selection of talented artists, Montevideo-based music producer and DJ Pobvio attempts to show the diversity of the Uruguay underground music scene.
Listen to this playlist of artists from New York and their current releases. It’s a selection of things that NYC-born and based sound practitioner Geng PTP has been returning to, over and over again.
With the ongoing Russian invasion of Ukraine, our Poland-based writer realized that much of her favorite experimental music that was considered Russian is actually from Ukraine. Did she unwittingly practice «musical imperialism»?
The audiovisual artist Shaahin Peymani and his family share a long history of migration from Iran to Germany and back. Here he maps the route from his German grandmother’s migration diary alongside one of his own compositions.
A poetic encounter with the different family histories of poet Tanasgol Sabbah and bassist Reza Askari. Weaving together experience, memory, and narrative, this piece switches between languages, and allows uncertainty about what is said and what is imagined.
A round-up of the cosmopolitan classical musical culture in Iran. Starting with music scholars of the Qajar era (1796–1925) and ending with the global music scene of the 21st century, from both the diaspora and from home.
