Listen to this playlist of artists from Durham and their current releases. This selection by Durham-based artist Debt Stalker is a collection of tracks that compliment both the physical terrain of the city and the ever-changing DIY electronic music scene in the region.
Listening to live music outside can be a life changing experience. For our author, it set nothing less than the pathway of his life.
Listen to this playlist of artists from Montevideo and their current releases. With his selection of talented artists, Montevideo-based music producer and DJ Pobvio attempts to show the diversity of the Uruguay underground music scene.
Listen to this playlist of artists from New York and their current releases. It’s a selection of things that NYC-born and based sound practitioner Geng PTP has been returning to, over and over again.
With the ongoing Russian invasion of Ukraine, our Poland-based writer realized that much of her favorite experimental music that was considered Russian is actually from Ukraine. Did she unwittingly practice «musical imperialism»?
A round-up of the cosmopolitan classical musical culture in Iran. Starting with music scholars of the Qajar era (1796–1925) and ending with the global music scene of the 21st century, from both the diaspora and from home.
Kamwangi Njue traces the story of political (i.e. conscious) music in Kenya, drawing on his own biography. He asks: Can conscious music achieve the impact it seeks when it has to play in the same sphere as popular music made purely for entertainment?
After growing up in Japan, Sally, a Kenyan teenager, wanted to reconnect with Kenyan music upon returning home, while dealing with the meaning of that term, «home».
Kamau Ngigi aka Kamaa aka Githingithia (Earthquake) is one of the founders of legendary rap trio Kalamashaka, widely regarded as originators of Kiswahili rap in Nairobi. Here, he tells the story of the Nairobi of his day.
Conscious Kiswahili rap gave the youth a voice of protest towards the turn of the millennium. Today, more mainstream popular musicians have joined in, making music with direct critical messages.
Nairobi’s West/South C area was the home of the «Boomba» party sound. Now only the bars remain. What happened?
