Video Traces: From Italy

A Norient Snap by Marina Benetti
Video Traces: From Italy

This playlist is an audiovisual journey through the last 45 years of Italian music. Far from being a systematic overview of Italian heritage, this selection aims to outline a heterogeneous, if not divergent, landscape of sounds and music videos.

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Underdog Music

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Underdog Music
Underdog Music

Other Music was a seminal NYC record store for 20 years. Emilie Friedlander, a frequent shopper there, reflects on the film of the same name and a legacy lost to the algorithm.

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Design: Šejma Fere

Lisbon Before and After

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Lisbon Before and After
Lisbon Before and After

André Santos finds ambivalence in the tourism and gentrification of his hometown, as depicted through fado music in the film «Silêncio – Vozes de Lisboa».

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Design: Šejma Fere

A Yearning for Coherence

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A Yearning for Coherence
A Yearning for Coherence

Love songs tend to be seen as unpolitical. Granî however, the energetic Kurdish wedding music, contains significant political meanings. An essay by Martin Stokes on the power of hidden dissent cultures, inspired by George Mürer’s film «Her Bijî Granî».

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Design: Šejma Fere

I Often Work at Night

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I Often Work at Night
I Often Work at Night

Angolan producer Nazar grew up in Belgium, spent his teens in Angola, and is now based in the UK. In this interview, he talks about war, anger, discrimination, and loneliness. An experimental podcast.

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Quote: Nazar
Design: MR. LU*
Sound: Nazar

Ritual of Masculinity

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Ritual of Masculinity
Ritual of Masculinity

After watching Anna Gawlita’s film «Krzyżoki» (Horse Riders), Agata Pyzik wonders what’s next for contemporary masculinity?

 

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Design: Šejma Fere

Ebram the Breeze

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Ebram the Breeze
Ebram the Breeze

Azin Feizabadi gets caught in Ebrahim Monsefi’s spirit breeze conjured by Kamran Heidari’s «documentary» on the Iranian singer/songwriter, «None of Your Business».

 

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Design: Šejma Fere

The Agency of Sonic Thinking

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The Agency of Sonic Thinking
The Agency of Sonic Thinking

Sound is able to merge supposed contradictions: in the audio walk «Zero, Land der Zukunft» at Dystopie Festival, our writer finds herself entangled both in dystopian and utopian worlds. Here is a short essay on listening as a mode of creating critical agencies.

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Quote: Andrea May
Design: Klaus Janek

More Sad Hits

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More Sad Hits
More Sad Hits

In an era where platforms package music in a way that strips away life’s complexities, Angus Finlayson finds a melancholic antidote in the music documentary «The Long River Slides».

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Design: Šejma Fere

Finding Refuge in Rebetiko

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Finding Refuge in Rembetika
Finding Refuge in Rebetiko

Clive Bell muses on the music documentary «Don’t Rush’s» love for Rembetika – Greek urban folk music essentially made by refugees – and on an ongoing humanitarian crisis.

 

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Quote: Clive Bell
Design: Šejma Fere

The Sound of Beirut’s Underbelly

The Sounds Of Beirut’s Underbelly_Rayya Badran_Sejma Fere
The Sound of Beirut’s Underbelly
The Sound of Beirut’s Underbelly

What can we learn from a film by listening to it? Rana Eid’s «Panoptic» (2019) takes the viewer on a dark peregrination in the city of Beirut, and becomes a terrain on which images, sounds and voices superimpose and coalesce.

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Design: Šejma Fere