Decolonizing Listening
«In 1991, Susan McClary, advancing new models for feminist music analysis, noted that in considering the intersections of gender, sexuality, and music, we might reach a point of production un-knowing, where we are ‹no longer sure of what MUSIC is› (McClary 1991, 19). Decolonizing musical practice involves becoming no longer sure what LISTENING is.»
This quote is excerpted from Dylan Robinson’s book «Hungry Listening: Resonant Theory for Indigenous Sound Studies» (Minneapolis 2020, 47). It is part of the virtual exhibition «Norient City Sounds: Delhi», curated and edited by Suvani Suri.
Project Assistance: Geetanjali Kalta
Graphics/Visual Design: Upendra Vaddadi, Neelansh Mittra
Audio Production: Abhishek Mathur
Video Production: Ammar
Biography
Published on September 29, 2023
Last updated on April 02, 2024
Topics
From Beyoncés colonial stagings in mainstream pop to the ethical problems of Western people «documenting» non-Western cultures.
A generative practice that promotes different knowledge. One that listens is never at a distance but always in the middle of the sound heard.