A sonic immersion into the waters that flow through Bogotá, narrated by both human and non-human voices of Colombia’s capital. // Una inmersión sonora en las aguas que atraviesan Bogotá, narrada por las voces humanas y no humanas de la capital de Colombia.
From instruments made of plastic waste of the ocean to questions about a futurist naturalism which embraces technology for aesthetic emancipation.
- Introduction by Philipp Rhensius, Katía TruijenWhen talking about listening in the broadest sense, listeners are usually at the center of attention. In this dialogic essay, Rewire Festival’s context curator Katía Truijen and Norient’s editor Philipp Rhensius what happens when the sound listens back.
- Short Essay by Antye Greie-RipattiIn her work as educator, the artist Antye Greie-Ripatti aka AGF aims to integrate «listening as an art practice» into school curriculums. In this essay, she reflects on teaching children the skill of listening to build environmental sensibility.
- Essay by Piotr Tkacz-BielewiczWhat is real in recorded reality? While listening to the music of Lucie Páchová and Paweł Kułczyński, our author speculates on their use of field recordings of seemingly natural sound sources. Read a new essay from the Sonic Worlding column.