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  • Norient Snap by Natascha Orestes
    «Dick, Pussy, and Ass for Everyone»Hannes Liechti
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    Dancing women at a pool party, mens with guns and barbecued sausages. An attempt of understanding the music video «Pau, Perereca e cu - PPC» by the Brazil musicians Harmonia do Sampler.

  • There is a ysterious beauty in waching millions of colorfu bars falling down the screen.
    Black MIDI: Notes Like BulletsRaffael Dörig
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    An average pop song counts around one thousand notes, while a typical Black MIDI track is several millions. Black MIDI composers – called «Blackers» – try to challenge computers, ears, and eyes with enormous numbers of super-short and dense notes.

  •  irtenkauf_metal-aus-afrika_safwan-subzwari.jpg
    Overthrust: Exotismus im Death MetalDominik Irtenkauf
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    Die botswanische Death Metal-Band Overthrust tourte 2016 durch Deutschland. Sie trafen auf offene Ohren, aber auch geschlossene Weltbilder. War es der Kunst-Kontext des Theaters, der den Exotismus-Faktor offenbarte?

  •  nawfal_mashrou-leila_safwan-subzwari.jpg
    Facing Racism and SensationalismZiad Nawfal
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    Hamed Sinno is the lead singer of the Lebanese alternative rock band Mashrou' Leila. In this podcast he talks about belonging, identity, and representation. And about what does it mean to make music as a Lebanese artist in a global context.

  • Norient Snap by Uno
    Sampling Stories Vol. 8: DubokajHannes Liechti
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    Digging samples in the tracks of Daniel Jakob led me to two interesting potentials of the production method: sampling as a hidden means of producing tracks and sampling of ambient sounds as cultural signifiers.

  • Norient Snap by Ali Sayah
    Inner Station SoilLaetitia Boulud
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    In this photo series we explore the Israeli underground scene around experimental sound artists such as Meira Asher or David Opp. Portrayed in their home environments the they show the artists in connection or disconnection from the region they live in.

  • Norient Snap by Ali Sayah
    Das Musikvideo auf der CouchBenedikt Sartorius
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    Anlässlich des 2014 erschienenen Musikvideos «Du verwachsch wieder nume i dinere Wonig» von Stahlberger, blickt unser Autor auf die Geschichte des Mediums Musikvideo zurück und dekonstruiert die Codes von Bandvideos.

  •  panjwaneey_blog_karachi-noise_safwan-subzwari.jpg
    Karachi NoiseDaniel Arthur Panjwaneey
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    In Karachi, Pakistan, very early in the morning, you hear the birds. Then, around seven, buses and rickshaws tune in. Then more and more people. They don’t talk here, they yell. A short quote from the Norient book «Seismographic Sounds».

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