Snaps

Anlässlich des 2014 erschienenen Musikvideos «Du verwachsch wieder nume i dinere Wonig» von Stahlberger, blickt unser Autor auf die Geschichte des Mediums Musikvideo zurück und dekonstruiert die Codes von Bandvideos.

In Karachi, Pakistan, very early in the morning, you hear the birds. Then, around seven, buses and rickshaws tune in. Then more and more people. They don’t talk here, they yell. A short quote from the Norient book «Seismographic Sounds».

A new generation of Italian trap has quickly re-appropriated the music and made it the most bottom-up, teenage-oriented repertoire to make it into Italian mainstream media and music charts in the last couple of years.

Trap has conquered Italy's Charts with its own idiosyncratic take. Artists descended from  immigrants raise political issues in an European society that is seeing ever-growing support of right wing ideas.

Gqom edit 004 / Experimenting with interview formats // We meet gqom producer Dominowe in his house in Newlands East in Durban to discuss what this dark electronic music genre is all about.

Im Videokommentar zu «Du verwachsch wieder nume i dinere Wonig» der Schweizer Mundart Philosophen Stahlberger erscheint das im Video inszenierte Therapiegespräch als «Psychogramm einer in sich selbst vereinsamten Schweiz».

Dmytro Fedorenko and Kateryna Zavoloka are two Ukrainian composers from Kiev who moved to Vienna two years ago. Zavoloka's EP «Volya» is inspired by the Ukrainian revolution. An interview on music, war, and protest.

On his recent release «Tar», the Tehran-based drone musician Siavash Amini creates thick walls of sound that conjure eerie landscapes and feelings of disorientation. But if one is brave enough to face the grim textures, it creates an effect of empowerment.