Snaps

A round-up of the cosmopolitan classical musical culture in Iran. Starting with music scholars of the Qajar era (1796–1925) and ending with the global music scene of the 21^st century, from both the diaspora and from home.

Die Klarinettistin Shabnam Parvaresh beschreibt die Musik ihrer Kindheit und Jugend. Die Erinnerungen an ihr Elternhaus verbinden sich mit geliebten Tonträgern und endlosen Downloads. Was sie als Musikerin noch im Gepäck hatte, entdeckte sie aber erst in Deutschland.

The audiovisual artist Shaahin Peymani and his family share a long history of migration from Iran to Germany and back. Here he maps the route from his German grandmother’s migration diary alongside one of his own compositions.

A poetic encounter with the different family histories of poet Tanasgol Sabbah and bassist Reza Askari. Weaving together experience, memory, and narrative, this piece switches between languages, and allows uncertainty about what is said and what is imagined.

The audiovisual artist Shaahin Peymani and his family share a long history of migration from Iran to Germany and back. Here he maps the route from his German grandmother’s migration diary alongside one of his own compositions.

Kamwangi Njue traces the story of political (i.e. conscious) music in Kenya, drawing on his own biography. He asks: Can conscious music achieve the impact it seeks when it has to play in the same sphere as popular music made purely for entertainment?

Different artists from Nairobi share their experiences of life in the city during the tumultuous election season of early 2022, and their thoughts on political and social messages in music.

Kenyan hip hop has gone through several phases. This mixtape tries as much as possible to identify them through their unifying act of Sheng poetics. These tracks observe, report, criticize, accuse, and protest. Together, they paint a conscious picture of Nairobi.