Philipp Rhensius is an editor for Norient, writer, musician, sound artist, sociologist & musicologist, and curator from Berlin. His work investigates the connections between the micro- and macro-political and is driven by the idea that «feeling the chains» is the moment when emancipation begins. His music and sound art projects (Kl.ne, aphtc, Alienationst) merge sonic fiction with sardonic poetry and visceral sound. His texts are published in i.e. Taz, Spex, FAZ, Neue Zürcher Zeitung, WOZ and several book volumes. He runs the music label Arcane Patterns and hosts a monthly podcast on Noods Radio. Follow him on Instagram, his Website, or LinkedIn.

Spaniard Juan José López (*1992) is researching how insects communicate through mechanical waves at the National Institute of Biology in Ljubljana. Among other things, biotremology investigates the extent to which the communication of arthropods allows conclusions to be drawn about the ecological context. The method can complement the study of different habitats and make a hidden world audible and tangible.

The Zurich-based composer, artist and natural sound researcher Ludwig Berger (1986) creates electro-acoustic compositions. In his works, landscapes become audible, be they cities, Japanese gardens, glaciers or a bee colony.