Ukrainian electronic artist Zavoloka produced an experimental sound piece accompanied by selected speech fragments from Olimpia Splendid, Ali Gul Pir, Ethiopian Records, and others who expressed their thoughts on the subject of loneliness.
In 2013 Curitiba-based electropop band Bonde do Rolê released their music video «Picolé». A video celebrating the popsicle and directed by forty-five directors. Our author asks: How is this possible?
Dancing women at a pool party, mens with guns and barbecued sausages. An attempt of understanding the music video «Pau, Perereca e cu - PPC» by the Brazil musicians Harmonia do Sampler.
An average pop song counts around one thousand notes, while a typical Black MIDI track is several millions. Black MIDI composers – called «Blackers» – try to challenge computers, ears, and eyes with enormous numbers of super-short and dense notes.
Die botswanische Death Metal-Band Overthrust tourte 2016 durch Deutschland. Sie trafen auf offene Ohren, aber auch geschlossene Weltbilder. War es der Kunst-Kontext des Theaters, der den Exotismus-Faktor offenbarte?
Hamed Sinno is the lead singer of the Lebanese alternative rock band Mashrou' Leila. In this podcast he talks about belonging, identity, and representation. And about what does it mean to make music as a Lebanese artist in a global context.
Digging samples in the tracks of Daniel Jakob led me to two interesting potentials of the production method: sampling as a hidden means of producing tracks and sampling of ambient sounds as cultural signifiers.
In this photo series we explore the Israeli underground scene around experimental sound artists such as Meira Asher or David Opp. Portrayed in their home environments the they show the artists in connection or disconnection from the region they live in.
Anlässlich des 2014 erschienenen Musikvideos «Du verwachsch wieder nume i dinere Wonig» von Stahlberger, blickt unser Autor auf die Geschichte des Mediums Musikvideo zurück und dekonstruiert die Codes von Bandvideos.
In Karachi, Pakistan, very early in the morning, you hear the birds. Then, around seven, buses and rickshaws tune in. Then more and more people. They don’t talk here, they yell. A short quote from the Norient book «Seismographic Sounds».
A new generation of Italian trap has quickly re-appropriated the music and made it the most bottom-up, teenage-oriented repertoire to make it into Italian mainstream media and music charts in the last couple of years.
