A new generation of Italian trap has quickly re-appropriated the music and made it the most bottom-up, teenage-oriented repertoire to make it into Italian mainstream media and music charts in the last couple of years.
Trap has conquered Italy's Charts with its own idiosyncratic take. Artists descended from immigrants raise political issues in an European society that is seeing ever-growing support of right wing ideas.
Gqom edit 004 / Experimenting with interview formats // We meet gqom producer Dominowe in his house in Newlands East in Durban to discuss what this dark electronic music genre is all about.
Im Videokommentar zu «Du verwachsch wieder nume i dinere Wonig» der Schweizer Mundart Philosophen Stahlberger erscheint das im Video inszenierte Therapiegespräch als «Psychogramm einer in sich selbst vereinsamten Schweiz».
Dmytro Fedorenko and Kateryna Zavoloka are two Ukrainian composers from Kiev who moved to Vienna two years ago. Zavoloka's EP «Volya» is inspired by the Ukrainian revolution. An interview on music, war, and protest.
On his recent release «Tar», the Tehran-based drone musician Siavash Amini creates thick walls of sound that conjure eerie landscapes and feelings of disorientation. But if one is brave enough to face the grim textures, it creates an effect of empowerment.
An echo is historically coded as the sound of a lonely disembodied voice, able to produce a decentered sense of alienation. This is illustrated here through the urban echoic production work of Burial (William E. Bevan).
For my new series «A Portrait Of – Experimenting with Interview Formats» I sent out an email with questions to Toiret Status from Japan and received his answers in Japanese. Using Google Translator, I mixed this podcast with his voice, music and sounds.
The Lebanese musician Malikah started to rap out of rage. She travels between the streets of Beirut to Europe's avant-garde spaces. Norient caught up with her to talk about her sense of belonging in an English-speaking, male-dominated hip hop scene.
Today the sampling of all material from infinite sources challenges the «spectacular aura» of the pre-recorded original in order to claim autonomy. We asked musicians from the Norient network: how does the digital availability of sources change music?
