The progressive rock band The D/A Method has been described as a unique addition to the Pakistani music landscape. With Gali Films and its director Kamal Khan, they recently published a video clip of the song «The Desert Journey». An interview.
The FEMUA festival in Abidjan, Ivory Coast, boasts around 100,000 spectators. Today it's an important springboard for artists who are starting out, from hip hop to zouglou. A report from a gathering that strives for conduit of union and social cohesion.
With her video «Orangutan» Italian artist and activist Karima 2G responded on racist comments of Italian politicians in the context of the election of Italy's first black government minister Cécile Kyenge in 2013.
Ukrainian electronic artist Zavoloka produced an experimental sound piece accompanied by selected speech fragments from Olimpia Splendid, Ali Gul Pir, Ethiopian Records, and others who expressed their thoughts on the subject of loneliness.
In 2013 Curitiba-based electropop band Bonde do Rolê released their music video «Picolé». A video celebrating the popsicle and directed by forty-five directors. Our author asks: How is this possible?
Dancing women at a pool party, mens with guns and barbecued sausages. An attempt of understanding the music video «Pau, Perereca e cu - PPC» by the Brazil musicians Harmonia do Sampler.
An average pop song counts around one thousand notes, while a typical Black MIDI track is several millions. Black MIDI composers – called «Blackers» – try to challenge computers, ears, and eyes with enormous numbers of super-short and dense notes.
Die botswanische Death Metal-Band Overthrust tourte 2016 durch Deutschland. Sie trafen auf offene Ohren, aber auch geschlossene Weltbilder. War es der Kunst-Kontext des Theaters, der den Exotismus-Faktor offenbarte?
Hamed Sinno is the lead singer of the Lebanese alternative rock band Mashrou' Leila. In this podcast he talks about belonging, identity, and representation. And about what does it mean to make music as a Lebanese artist in a global context.
Digging samples in the tracks of Daniel Jakob led me to two interesting potentials of the production method: sampling as a hidden means of producing tracks and sampling of ambient sounds as cultural signifiers.
In this photo series we explore the Israeli underground scene around experimental sound artists such as Meira Asher or David Opp. Portrayed in their home environments the they show the artists in connection or disconnection from the region they live in.
