Here and Now: The Subtle Pressures of Cairo
Episode 16 of the «TIMEZONES» podcast series hosts three composers, musicians, and DJs of various backgrounds and music styles to shed light on the Egyptian music industry.
Episode 16 of the «TIMEZONES» podcast series hosts three composers, musicians, and DJs of various backgrounds and music styles to shed light on the Egyptian music industry.
«Ohrwurm» or «Earworm» – usually used to describe a song torturously stuck in your head. But what about those of us who yearn for this? All I do is listen to one song over and over again, for weeks on end. Is this a happily welcomed, disassociated kind of relief from reality
In this essay, the diasporan writer Shayan reflects on the sounds of the Iranian revolutions, from the delicate stories of his family’s past to the brutal videos circulating in the aftermath of the murder of Jina Mahsa Amini in September 2022.
Improvising with machines. Listen to an audio essay featuring Brenna Murphy and Birch Cooper from the duo MSHR, in which they discuss their sound installation at Klangmoorschopfe 2023 based on a cybernetic feedback system.
A selection of recent releases from Kampala’s prospering underground music scene, including artists from the corresponding TIMEZONES episode.
An introductory note to the third edition of Norient City Sounds moored in Delhi, India. This collection tunes into a polyphony of voices, songs, sounds, and stories that reimagine and «unconceal» the many worlds and characters constituting the capital’s «sonicities».
In this essay, the author unpacks memories of the city in the song of Qawwals, observing how in memorializing the past, Delhi emerges in Qawwali not as a location, an identity, or a descriptive category, but always as a space of desire.
Sunayana Wadhawan traces a map of stories from Kathputli Colony (Puppeteer’s Colony) in New Delhi to foreground the pressing concerns of artists and art forms that are displaced and delegitimized in the name of urban development.
This piece time travels through the author’s experiences of his years spent in Delhi, India, floating in and out of conversations, encounters, perceptions, and memories of the city through mentors and friends who shaped the author’s practice in sound and listening.
Shomi reflects on the music scene taking shape at a certain moment in Delhi, the voices, people, sounds, influences, concerns, and genres creating it, and the moment that it has arrived at now.