A Mere Face in the Crowd

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A Mere Face in the Crowd
A Mere Face in the Crowd

What happens when young musicians leave their hometowns or their places of study and head for another city? Jakarta-based journalist Gisela Swaragita remembers her own case and looks back to her study-years in the South-Central Javanese metropole, Yogyakarta.

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Sound: Wukir Suryadi, Seahorse, Julian Abraham

Norient Playlist 02/22: Yogyakarta

Norient Playlist 02/22: Yogyakarta
Norient Playlist 02/22
Norient Playlist 02/22: Yogyakarta

Listen to this playlist of artists from Yogyakarta and their current releases.

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Design: Maria Uthe

Autonomous Art of Uncertain Life in Yogyakarta

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Autonomous Art of Uncertain Life in Yogyakarta
Autonomous Art of Uncertain Life in Yogyakarta

This podcast reveals the current situation and condition of art in Yogyakarta by tracing artistic works and cultural actions from the early days of the national awakening to contemporary times. A series of statements, poems, plays, songs, and conversations.

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Technology – The New Normal for Dhaka’s Artists

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Technology – The New Normal for Dhaka’s Artists
Technology – The New Normal for Dhaka’s Artists

An exploration of Dhaka’s transformation towards digitization and its ramifications for artists living and working in the capital of Bangladesh.

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Quote: Sounak Das
Design: Šejma Fere
Sound: BLKBX

A Curatorial Technique: Devising Process and Improvisation

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A Curatorial Technique: Devising Process and Improvisation
A Curatorial Technique: Devising Process and Improvisation

Curating exhibitions has often been a one-dimensional endeavor. Here, the curator Basak Senova suggests an approach that prioritizes constant feedback between artists and audience, as well as improvisation.

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Design: Elias Chen

The Public and the Intimate: Documenting a Curatorial Process #2

Snap Artwork by Sergio Salazar (On Exposing the Curatorial Us)
The Public and the Intimate: Documenting a Curatorial Process #2
The Public and the Intimate: Documenting a Curatorial Process #2

In this photo essay, Monia Acciari visualizes a curatorial process attempting to reconcile intimate and public absences, loss, and creativity.

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The Crime of Listening to What You Want

Snap Artwork by Sergio Salazar (The Crime of Listening to What You Want)
The Crime of Listening to What You Want
The Crime of Listening to What You Want

As a child, our writer made mixtapes out of recorded radio shows. In this personal essay, she explains how she disobeyed the station’s official music curation.

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The Silent Mass I Carry Around

Snap Artwork by Sergio Salazar (The Silent Mass I Carry Around)
The Silent Mass I Carry Around
The Silent Mass I Carry Around

Even at a time of fragmented digital selves, people often align with a single self-description, suppressing their multiplicities. In this essay, our author attempts to re-sample the embattled term (self-)curation, in search of its supposed emancipatory potential.

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Like a Fragrance in a Room

Snap Artwork by Sergio Salazar (Like a Fragrance in the Room)
Like a Fragrance in a Room
Like a Fragrance in a Room

What happens when curation resists any form of guidance? For Rebecca Salvadori, video artist and artistic co-curator of Norient Festival 2022, this led to a silent rush of creativity. A claim for positive disorientation.

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On Exposing the Curatorial «Us»: Curatorial Notes #1

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On Exposing the Curatorial «Us»: Curatorial Notes #1
On Exposing the Curatorial «Us»: Curatorial Notes #1

How can we decentralise the power of curatorial spaces? According to our writer, we need to take into account irrationality as a creative process.

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Design: Elias Chen

Haunted by an Invisible Sound

Snap Artwork by Sulgi Lie (Haunted by an Invisible Sound)
Haunted by an Invisible Sound
Haunted by an Invisible Sound

How does sound shape visual perception in a movie? Watching «Memoria» by Apichatpong Weerasethakul, film scholar Sulgi Lie is shaken by a heavy bass that has no visible source.

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Quote: Sulgi Lie