Watching «Sisters with Transistors» reminds Ruth Saxelby that electronic music is a doorway to endless worlds of wonder.

The soundscape of a film defines its perception, yet it is often neglected. While watching «RIAFN», a cinematic journey into the soundscape of the Alps, our writer decided to write a short guide to making a soundscape documentary, in five steps.

In the third part of the series «Post-Euphoria», Guy Baron reflects on his use of audio effects to suggest the faded recollection of lost euphoric experiences.

Artists’ residencies are often aimed towards results in order to bulk up institutions’ portfolios. But what happens if the only goal is unintentionality? An essay inspired by a workshop in the OneBeat program.

In part 2 of Guy Baron’s Norient series on his practice-based music research project «Post-Euphoria», he thinks about compositional strategies to interpret themes of recollection and reimagination.