Watching «Sisters with Transistors» reminds Ruth Saxelby that electronic music is a doorway to endless worlds of wonder.

The soundscape of a film defines its perception, yet it is often neglected. While watching «RIAFN», a cinematic journey into the soundscape of the Alps, our writer decided to write a short guide to making a soundscape documentary, in five steps.

In the third part of the series «Post-Euphoria», Guy Baron reflects on his use of audio effects to suggest the faded recollection of lost euphoric experiences.

As a teenager, our writer experienced a natural disaster, and the only radio nearby united the survivors. Yet, as she learned in OneBeat’s Radio Building workshop, radio can also have dividing effects.

In part 2 of Guy Baron’s Norient series on his practice-based music research project «Post-Euphoria», he thinks about compositional strategies to interpret themes of recollection and reimagination.