Entangled Thoughts: Carsten Nicolai (Alva Noto) & Albert Oehlen
At Klang Moor Schopfe 2021, Philipp Rhensius created 12 experimental audio essays. Listen to a podcast inspired by the sound installation of Carsten Nicolai (Alva Noto) & Albert Oehlen.
At Klang Moor Schopfe 2021, Philipp Rhensius created 12 experimental audio essays. Listen to a podcast inspired by the sound installation of Carsten Nicolai (Alva Noto) & Albert Oehlen.
At Klang Moor Schopfe 2021, Philipp Rhensius created 12 experimental audio essays. Listen to a podcast inspired by the sound installation of Rie Nakajima.
At Klang Moor Schopfe 2021, Philipp Rhensius created 12 experimental audio essays. Listen to a podcast inspired by the sound installation of A. Frei, Franziska Koch (OOR Saloon) in collaboration with Nelson Irsapoullé, Tracy September, and Vivian Wang Sommer.
At Klang Moor Schopfe 2021, Philipp Rhensius created 12 experimental audio essays. Listen to a podcast inspired by the sound installation of Ryoichi Kurokawa.
In part 2 of Guy Baron’s Norient series on his practice-based music research project «Post-Euphoria», he thinks about compositional strategies to interpret themes of recollection and reimagination.
How Rio has shaped its music over the centuries and invented its future through the vision of artists, creators, and scholars.
What is real and what is imagined? In her text inspired by a Laurie Anderson lecture, our writer thinks of listening as a possibility to become a stranger to oneself.
An experimental podcast full of samples from KMRUs music, and snippets from an interview conducted in his house in 2020, just before the COVID-19 Pandemic. Currently sound artist and experimental ambient musician KMRU lives in Berlin.
In a 4-part series, Guy Baron reflects upon the making of his album «Post-Euphoria». Utilizing practice-based research, he examines notions of nostalgia in relation to lost experiences and club music.
How some of the most forward-thinking contemporary musicians and visual artists from the Bay Area have been shaped by the region’s social, cultural, and political landscape and how they work with these limitations and contradictions.
In this essay, the composer Constanza Bizraelli reflects on the potential of technology to channel sound practices as radical participatory action, inspired by the workshop «Resonation: To Infinity & Beyond» of the One Beat residency program.