Every story results from the tension between form and content. But these rarely deviate from the usual. In the film «Dazzle Lights», the viewer is confronted with a radical blurring. Read an essay about the possibilities of surreal and nonlinear narrative.

Artists often live a precarious life in which work rules everything. Their constant urge to be productive has intensified further in the pandemic. In this essay, our writer finds relief in the protagonist of the film «Les Contes Du Cockatoo», who refuses to finish projects.

North Indian classical music was once exclusively performed for the upper class. Today, it is for everyone, yet it is faced with the demands of the 21^st century: The constant imperative to self-promote.

Perfectionism is a widespread modus operandi among artists. In an essay inspired by the film «Solo», our author reflects why this can lead to fear of failure rather than better work – and how one can overcome this faulty logic of self-judgment.

Noisy encounters in Indonesia, both in her own life and via Adythia Utama’s short film «existence.», have taught Gisela Swaragita elevated listening.

«Making Waves: The Art of Cinematic Sound» gets Dan Barrow pondering the affect of sound in film and its role in finding space for sonic freedom.

Seeing reflections of the digital world in Marnie Ellen Hertzler’s «Crestone», Daniela Seitz looks beyond the isolation of the internet to find renewal and hope.

After seeing them perform and watching their film with director Piotr Macha, RRRKRTA examines SIKSA’s unusual revolutionary stance.

«Utapishi» is a spiritual healing ritual in Kenya that is seen as a threat by Christianity. Nevertheless, some young healers still practise it. Read an essay about the alliance of colonialism and religion, as seen in the short film «Tapi!».