From Bangladeshi electronica to global «black midi» micro scenes.

Why do people in Karachi yell rather than talk and how does the sound of Dakar or Luanda affect music production?

Place remains important. Either for traditional minorities such as the Chinese Lisu or hyper-connected techno producers.

A form of attachement beyond categories like home or nation but to people, feelings, or sounds across the globe.

Desires are produced personally and impersonally: About music as desiring machine and the elasticity of bodies.

From world known reggae musicians fighting against the devil to the black metal scene in Indonesia.