Snaps

Music plays an important role in diaspora communities. But it doesn't just unify its members, it also acts as a tool for political control. A comment on the problematic balance between nationalist propaganda and ethnic identity.

«It’s a lonely world, if you don’t question it and try to fight it.»

«Clash of Gods» is theatre, dance, DJ-set and audio-visual media collage. The performance by Thomas Burkhalter and Christophe Jaquet leads midst into the battle for cultural, political, moral interpretations and definitions of our world.

Christophe Jaquet describes in his fan confession, that the radical musician, thinker, hacker, philanthrope, activist, and curious figure Goodiepal saved him from being depressed about the future of music.

In the Japanese «aidoru bunka» (idol culture), grown men kneel down to mimic their infantile stars. When watching Kyoko Miyake's film Toyko Idols, musicologist Oliver Seibt sees a strong connection between this ritual and the sacred.

Filmmaker Michè Calandra Achode sketches out the future of African music in Europe.

In the film «Oulaya's Wedding», one is thrown into the middle of a traditional wedding in the Western Sahara. But is the overwhelming proximity to the filmed Sahraoui culture able to bypass exoticism, asks the director and archivist Christopher Kirkley.

Does the movie «Sinofuturism (1839–2046 AD)» confront us with a future China, that is an inhuman dystopia? No, says Philipp Rhensius. It just depends on the perspective on our world.