Snaps

This text is a literary remix of Enrico Prampolini’s «The Aesthetic of the Machine and Mechanical Introspection in Art» (1922), considered a key text to understand the so-called second wave of Futurism, also referred to as «futurismo degli anni venti».

In this short memoir, an excerpt from a longer version originally published (in Italian and English) on his website, London-based Sicilian visual artist and musician Seb Patane reflects on what it meant to be a young Italian fascinated with British subcultures.

Philosopher and scholar Federico Campagna reflects on the cultural and anthropological context of late Baroque music in 1700s Europe and Italy, and explores the intersections between art, philosophy, and religion in the time of Italian painter Giovanni Battista Tiepolo.

Through the intersections of new music styles, dedicated clubs, and unprecedented economic progress, the Italian LGBTQIA+ community found a mental and physical space that was free from the social and political pressure of post-WWII Italian society.

London-based Italian writer Marco Mancassola reflects on his personal relationship with the oeuvre of renowned Sicilian art pop musician Franco Battiato.

Drawing from his first-hand experience with sound installations and AI-assisted music composition, musician and philosopher Lorenzo Brusci, founder of MUSICO, offers a multimedia techno-poetic essay on the history and current status of machine-assisted musicking.

Italy might be 9,000 km away from South-Korea and yet, K-pop has reached its shores nonetheless. NTS Radio-affiliated Paola Laforgia reflects on the reason behind its popularity both inside and outside of the Peninsula.

Filmmaker Mike Calandra Achode and DJ and music producer Francesco Cucchi recount their first-hand experience with the three attitudes the Italian cultural sector takes on to defend itself from experimentation, diversity, and multicultural avant-gardism.