In Leila Bencharnia’s performance «Fatema U Trab (Fatima and the Dust)», sound is not simply something we hear – it is something that is woven, touched, remembered, and transmitted.
ResponseSpeaking from the perspective of a researcher in art history and curatorial practitioner in Morocco, our author considers the idea of experimentation as one of the central aspects of Gilles Aubry’s book «Sawt, Bodies, Species».