«People in Ghana have gone overboard with religion, politics, and corruption», says FOKN Bois' Wanlov the Kubolor. A critical investigation of the relevance of religion and churches in Ghana.

The musician Ata Ebtekar, aka Sote, is helping to build an experimental music scene from Iran and Iranians abroad: contemporary music that engages with tropes of the past.

Country Music has been long associated with a strong focus on its country of origin. When Peter Guyer and Thomas Burkhalter were filming their «Contradict» in Ghana, they discovered that it is very popular in West Africa.

The Afro Celt Sound System are a musical collective who, in their own words, are a «genuine and positive example of how multiculturalism can thrive and survive in these troubled times».

The Nature Loves Courage Festival in Greece foregrounds female-identifying, queer and non-binary artists and contributes to the development of what is known as post-club culture. What can this festival tell us about today's club culture in general?

Colonialism isn’t over, it’s just less visible. As a curator of the Berlin-based label Global Pop First Wave, Holger Lund feels entangled in neo-colonial paradoxes. An essay about the westernization of pop music and why its decolonization is inevitable.

Music plays an important role in diaspora communities. But it doesn't just unify its members, it also acts as a tool for political control. A comment on the problematic balance between nationalist propaganda and ethnic identity.