Wikluh Sky is part of the hip hop trio Bad Copy from Serbia. In the podcast he talks about making art in Serbia, their video «Esi mi dobar», and about what would happen when Hans Zimmer would call him and offer him a job.
We trace the history of the carillon of the biggest church in Rotterdam, the Grote of Sint-Laurenskerk. Its bell sounds play an important role in the tracks of the compilation «010», released by the Dutch initiative RE:VIVE.
I was thoroughly fooled by Stromae’s video for «Formidable» the first time I saw it. I found Stromae to be very intelligent, beautiful, meticulous and his music made me want to dance. A commentary from a Sub-Saharan perspective.
Gqom edits 001/002 / Experimenting with interview formats // We meet gqom producer Citizen Boy and his grandmother in the Avoca Hills township of Durban to discuss about dark electronic gqom tracks.
«It's like a deformed anger which comes out us», says Wanlov the Kubolor, one half of the Ghanaian rap duo FOKN Bois. With his musical partner M3nsa he talks about their visions and their way of doing art in a religious context.
Far from folkloristic clichés and beyond the radar of the taste-shaping music press, there are alternative music scenes thriving in Central and Eastern Europe. Watch its most urgent video clips.
The human body is a drilled animal. The meta-national art and music collective NON Worldwide opposes this. Their performance «The Great Disappointment» at CTM Festival aimed at decolononizing the dancefloor by creating sensual disorientation.
In times of constantly bubbling news tickers that have long ago stopped covering sport events only, Berlin-based James Whipple has produced a LP that is dealing with the resultant feeling of information overload.
The austrian artist Soap&Skin makes highly dialectic music. In her self made video with grainy black-and-white images of the song «Sugarbread» she invokes nothing less than the cleansing power of the apocalypse.
In this experimental podcast Ethiopian producer Endeguena Mulu speaks about what makes him feeling lonely as an African and Ethiopian artist, the access to the digital World, and traditional music.
In «Libres» Argentine producer Moro is bridging the Atlantic slave trade with the current refugee crisis. The main element of the track is a sample of chain sounds, transformed into a historically meaningful rhythm.
