In the third episode of «Long Take: Life as an Artist», Mohamed Rai and his friend Hanan share their perspectives on the challenges of pursuing a career in the Maldives, and about peforming cover songs at resorts.
Eurological ways of curating music tend to ignore their own social and aesthetic contexts. In his essay, the composer Sandeep Bhagwati asks for more wakefulness in choosing that acknowledges the pluralities of musics today.
Maldivian singer, producer, and artist Zara Mujthaba shares insights into her musical journey and life on Thulusdhoo island, her involvement with the influential Maldivian collective Dinba Family, and her perspective on the evolving tourism industry in the Maldives.
In this forest sounds crawl, samples drift, and bodies feel woven to infinity. Read a sonic fiction by the writer and artist Anne Lesley Selcer, an excerpt taken from their in-progress novel CLUB SPACE.
In the debut episode of «Long Take: Life as an Artist», Yakawrath, aka Fira, an experimental psytrance musician and a 2D/3D artist from the Maldives, opens up about his journey as an underground artist in Malé City.
How to run an independent web platform without being too much of a «gatekeeper»? AQNB co-founder and editor about the platform’s struggle to archive a depicted scene by entering a cycle of mutual influence rather than (mis-)using curatorial power to make top-down statements.
A playlist that offers a deep dive into the sounds shaping Bogotá’s alternative scenes. An effort to highlight the independent and creative labels and artists constantly evolving amid struggles for the production and commercialization of their music.
A look at the city’s contrasts that delves into how diverse voices blend resistance and celebration. // Una mirada a los contrastes de la ciudad que explora cómo diversas voces mezclan resistencia y celebración.
Rou Rodríguez captures Bogotá’s dynamic street culture, showcasing its fusion of architecture, nature, sounds, and people. // Rou Rodríguez captura la dinámica cultura callejera de Bogotá, mostrando su fusión de arquitectura, naturaleza, sonidos y personas.
Una exploración del desarrollo del hip hop en las montañas lluviosas de Bogotá. El ensayo rastrea cómo el género ha evolucionado más allá de la tradición clasicista para dar cabida a otros subgéneros del rap que reflejan una ciudad diversa que nunca deja de moverse.
Listening is presence and present, and this is what Ana María Romano proposes to us: a careful listening to her closest soundscapes. // Escuchar es presencia y presente, y esto es lo que nos propone Ana María Romano: una escucha cuidadosa de sus paisajes sonoros más cercanos
