Can one pursue the past through reimagining the present? Veteran musician Yacoub Abu Ghosh and sound experimentalist Rehab Hazgui talk to Norient about merging tradition with recent techniques at the «Mirath:Music Sound Exhibition», a project by the Goethe-Institut.

In the final part of his Post-Euphoria series, Guy Baron discusses using stripped-down electronic dance music motifs to suggest ambivalent euphoric experiences and capture fleeting moments.

Watching «Sisters with Transistors» reminds Ruth Saxelby that electronic music is a doorway to endless worlds of wonder.

The soundscape of a film defines its perception, yet it is often neglected. While watching «RIAFN», a cinematic journey into the soundscape of the Alps, our writer decided to write a short guide to making a soundscape documentary, in five steps.

In the third part of the series «Post-Euphoria», Guy Baron reflects on his use of audio effects to suggest the faded recollection of lost euphoric experiences.

As a teenager, our writer experienced a natural disaster, and the only radio nearby united the survivors. Yet, as she learned in OneBeat’s Radio Building workshop, radio can also have dividing effects.

Songs can entail memories about who we are. In an essay inspired by the OneBeat workshop «Everything Old is New Again», our writer reflects on the role of music as a source of one’s own biography.

Artists’ residencies are often aimed towards results in order to bulk up institutions’ portfolios. But what happens if the only goal is unintentionality? An essay inspired by a workshop in the OneBeat program.