In this essay, the conductor, researcher, and performer Yalda Zamani makes a case for more interdisciplinarity in the conductor’s practice. The search for new methods of collaboration and exchange could inspire new and progressive concepts of leadership in musical practice.
In dem Gedicht für sein gleichnamiges Lied beschreibt der iranische Schauspieler und Dichter Ali Kamrani seine Erfahrungen als Einwanderer in Deutschland.
This is the story of a Palestinian song. A song that originated in the beseiged Palestinian district Yarmouk in Damascus, Syria. After Aeham Ahmad, who played this song in the streets of Damascus, fled to Germany, the meaning of the song has changed.
Every physical interaction leaves traces. In the fifth episode of «Sonic Vignettes», Salomé Voegelin reflects upon the grain of the voice as an irreducible trace of human contact and why it is it is endangered by AI cleaning language.
Some people think they know what Italian music is, until you really start to ask. An introduction to the Norient special «Sonic Traces: From Italy».
This text is a literary remix of Enrico Prampolini’s «The Aesthetic of the Machine and Mechanical Introspection in Art» (1922), considered a key text to understand the so-called second wave of Futurism, also referred to as «futurismo degli anni venti».
In this short memoir, an excerpt from a longer version originally published (in Italian and English) on his website, London-based Sicilian visual artist and musician Seb Patane reflects on what it meant to be a young Italian fascinated with British subcultures.
Taking cues from his interdisciplinary and research-based project Turbo Sud, visual artist and music producer Agostino Quaranta unearths the almost forgotten memories of electronic experiments made with pizzica pizzica, in the Southeast of Italy.
Through the intersections of new music styles, dedicated clubs, and unprecedented economic progress, the Italian LGBTQIA+ community found a mental and physical space that was free from the social and political pressure of post-WWII Italian society.
Milan-based activist, radio DJ, and journalist Sonia Garcia sheds light on the cultural and musical background of her community-healing project (and radio show) SAYRI, a politicized space for queer latinx celebration in the context of Italian clubbing.
Filmmaker Mike Calandra Achode and DJ and music producer Francesco Cucchi recount their first-hand experience with the three attitudes the Italian cultural sector takes on to defend itself from experimentation, diversity, and multicultural avant-gardism.
