Bedroom Producers

Virtual Debate

In the 21^st century, the world’s musical hits and trends are often created in bedrooms, where musicians exchange files online without meeting and jamming together. Therefore we asked people from the Norient network: can a bedroom producer change the world? A virtual debate from the Norient exhibition Seismographic Sounds (see and order corresponding book here).

Quotes

«Bedroom, toilet. Mega studio, dungeon. It doesn’t matter. It all starts and ends with the head. The problem stays with the platform on which the materials are being projected. YouTube, SoundCloud and such… this is not enough. Realtime physical interaction is the crucial generator of change. You all know that.»

Meira Asher, Sound Artist (Israel)

«I don’t think so, if you stay in your bedroom. Making a bedroom production is like making a CD or a vinyl release; it is just one step. So, if you upload a video do not expect – as some people do – to have done all your work; do not wait for success, or wait for the world to change.»

Geert-Jan Hobijn, Founder of the Label Staalplaat (the Netherlands)

«The question is: can there be seven billion different forms of expression? I guess so. The bedroom is a great and safe place to test this out, so go ahead.»

Antye Greie-Ripatti aka AGF/Poemproducer, Musician (Finland)

Antye Greie-Ripatti performing at Queen Elizabeth Hall in London with Gudrun-Gut (photo: GanMed64, 2010)

«You might worry your song is not being heard, that it's just a little grain of sand. But think about what the beach is made out of.»

Minuit De Lacroix, Singer, Producer and Multidisciplinary Artist (Mexico/Germany)

«With enormous talent, perseverance, and lots of luck, a bedroom producer can change the world. Most of the evolution I notice in music stems from the work of bedroom producers. Often they are very young with little or no experience with professional music, no concern for how their music should sound or where it might fit. They just create what they want to hear. However I don’t believe anybody can change the world alone. The greatest beat is most likely to get immediately lost in the shuffle online unless a core of people, or better yet, an influential figure, sheds light on it.»

Benjamin Lebrave, Producer (Ghana)

«Change happens from the most insignificant things and bedroom producers can do insignificant things. So, change is not just a big bang. It’s usually kind of a phased change.»

Jesse Samba Wheeler, Ethnomusicologist (USA/Brazil)

«Maybe they can’t change the world, but they give more details to it.»

Effy B, Radio Producer (France)

«Change comes locally and individually. And that will hopefully have a butterflyy effect and change the world for the better.»

Salome MC, Rapper (Iran/Japan)

Video Debate Statements by

Meira Asher, Sound Artist (Israel)
Effy B, Radio Producer (France)
Giacomo Bottà, Scholar (Finland)
James Costello, Artist (Ireland)
Minuit De Lacroix, Composer and Singer/Songwriter (Mexico/Germany)
Rona Geffen, DIY Musician & Artist (Germany)
Gregg Michael Gillis aka Girl Talk, Mashup Artist (USA)
Antye Greie-Ripatti aka Poemproducer/AGF, Musician (Finland)
Geert-Jan Hobijn, Founder of the Label Staalplaat (the Netherlands)
FrankJavCee, Blooger and Musician (USA)
Benjamin Lebrave, Producer (Ghana)
Wayne Marshall, Technomusicologist (USA)
Salome MC, Rapper (Japan/Iran)
Merz, Artist (Switzerland/UK)
Javier Polo, Director (Spain)
Marilou Polymeropoulou, Graduate Student University of Oxford (UK)
Cande Sánchez Olmos, Music Scholar University of Alicante (Spain)
Bit-Tuner, Musician (Switzerland)
Jesse Samba Wheeler, Ethnomusicologist (USA/Brazil)

Video Cut: Stephan Hermann, Coupdoeil

Some quotes from this debate were published in the second Norient book Seismographic Sounds.

Published on February 11, 2017

Last updated on August 11, 2020

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Loneliness

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Exile Guayla: Episode 01 – Music

Short Essay

by Sidney Sutter,

Valentin Mettler

Norient presents Exile Guayla, a crowd-shaped web documentary about the Eritrean music culture in Switzerland by the two art students Sidney Sutter and Valentin Mettler (Zurich University of the Arts). Their project gives an insight into an unknown music scene in Switzerland. We invite you to discover and co-define the project between March 10th and May 30th. With the help of the Swiss Eritrean community and the online users Exile Guayla sets the spotlight on the music's background, its lifestyle, language and the network.

The first Episode is centred around Eritrean musicians and bands in Switzerland. It peeks inside practice rooms, introduces the viewers to concert venues and to what the subculture looks like. It features singers Seare Debesay (Royal Band) and Eri Power (OneLove Band) and saxophonist Mulugeta Sbhatu.

«Crowd-shaped» Approach

Right away, it was clear to us that getting into the Swiss Eritrean scene and understanding its structure and rules would mean a long and difficult way. So why not turn the whole research process into a part of our documentary? After our first meetings with the musicians we defined our four main topics to be covered in the episodes. Even though we were still at an early stage, we published a video and started our social media channels to get the attention of the Eritrean community and invite it to participate. With this approach, we tried to get as much information as possible. With this thought in mind, we plan on publishing our interviews with the aim to encourage our project's community to translate them. Through this method we hope to achieve multiple, diverse translations and avoid one sole subjective point of view.

In addition to the four main episodes we want to gather background information on the music and share it with our community. One example is the «Guayla breakdown». Mulugeta Sbhatu explains where Guayla comes from and what its key features are. He reveals the three different types of speed and gives examples in how to recognise the difference.

Following the Royal Band

When we started the research for Episode 01 we didn’t know a single Eritrean musician. By browsing through Facebook and sending numerous messages to potential protagonists we got in touch with Seare Debesay. He lives in Fribourg and came to Switzerland three and a half years ago. During our first meeting, he told us about the Royal Band, which he and five friends formed the in Fribourg. It features two male, one female singer as well as three musicians. We followed the Royal Band over the course of the next three weeks and joined them for a jam in the park, in their band room and at a concert at an event for Eritrean culture.

After a while and a lot of talking to the band members we discovered that there aren’t many Eritrean bands in Switzerland. They have different approaches: normally, the main focus is on the singer and their band members change from concert to concert. This is mostly due to the long distances between venues and travel expenses. This is also noticeable when looking at Eritrean songs on YouTube, which can only be found under the name of the singer. Bands or musicians are hardly even mentioned. As an example, here is Seare Debesay's most famous song:

While spending time with the Royal Band we discovered that there seems to be something like a parallel universe in Switzerland. There are Eritrean parties and concerts taking place almost every weekend but hardly anyone notices them. With the knowledge Seare gave us we found a well-connected Facebook community of Eritrean musicians. Through this network we came across Mulugeta Sbhatu, a former professional saxophonist who played big concerts in Eritrea. During an interview, he told us that the majority of singers and musicians playing in Switzerland are amateurs. In his opinion, all of the good musicians are still in Eritrea and people here are just playing music cope with the struggle of adapting a new culture while not forgetting their own.

About the Music

There are nine recognized ethnic groups in Eritrea of which each has its own style of music. Most of the musicians we featured, as well as the majority of the 35,000 Eritreans living in Switzerland, are of the Tigrinya tribe. The most common style of music they play is Guayla, which is most recognisable through its unique drum beat.

But Guayla seems to be more than just a music genre. As Seare describes it, it is also the dancing, the party itself, a wedding or any other celebration and everything linked to it. The style hasn’t changed at all in Switzerland, as Eri Power, the singer oft he OneLove Band tells us. This is mainly due to the fact that the musicians cover the old songs their idols played in Eritrea. The lyrics are mostly about love, fighting for independence, about their family and, especially, their mother.

Exile Guayla – Get in Touch!

The first three weeks of our project were fairly intense but amazing and an incredibly promising start to our journey. We are thrilled to discover even more of the scene over the course of the next three episodes, all to be published on Norient. Beside our background clips we want to give the viewer an insight into the songs that have inspired our protagonists the most. On the Exile Guayla YouTube Channel we collect music videos and external content to discover even more of the culture.

Exile Guayla aims to be influenced by as many people as possible. If you have any inputs, comments, contacts or questions don’t hesitate to contact us through one of our many channels: Facebook – YouTube – Instagram – Snapchat: exileguayla – Whatsapp.

Biography

Sidney Sutter is studying Audiovisual Media at the Zurich University of the Arts. Besides University he is working as a filmmaker and multimedia journalist. Together with Valentin Mettler he is creating audiovisual projects as Bilder & Freunde.

Biography

Valentin Mettler is studying Cast / Audiovisual Media at the Zurich University of the Arts. Next to making musicvideos, short documentaries and animations he is fascinated and curious about sounds and music cultures from all over the world. Together with Sidney Sutter he is creating audiovisual projects as Bilder & Freunde.

Published on March 22, 2017

Last updated on April 10, 2024

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Diaspora

Migration

Money

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Exile Guayla

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Music and Protest

Virtual Debate

by Norient

Which form of musical protest is most effective to provoke change? This question we asked musicians and scholars from all around the world, from the composer Dave Philipps to the ethnomusicologist Martin Daughtry. Their answers are quite different. A virtual debate from the Norient exhibition Seismographic Sounds (see and order corresponding book here).

Quotes

«The role of the artist is to raise awareness, to push boundaries, to address issues that are of a global concern. This can and will influence people in many different ways.»

Dave Phillips, Noise Musician (Switzerland)

«You might worry your song is not being heard, that it’s just a little grain of sand. But think what the beach is made of.»

Minuit De Lacroix, Composer and Singer/Songwriter (Mexico/Germany)

«I define protest broadly. Helping a girl to get out of her unhealthy relationship with a pop song or saving a man’s life with an anti-suicide song is as much a successful protest as rallying people on the streets, the way bands like System of a Down or Rage Against the Machine do.»

Trullesand, Singer, Songwriter, and Producer (Germany)

«Music has an immense political potential. Think of national anthems. Even people who are not very nationalist find themselves viscerally moved when they have to stand up and recite one.»

Charles Hirschkind, Anthropologist (USA)

Video Debate Statements by

Martin Daughtry, Ethnomusicologist (USA)
Rudolf Eb.er, Musician (Switzerland)
Filastine, Musician (Spain)
Antye Greie-Ripatti (AGF), Vocalist, Musician, Composer, and Producer (Germany)
Charles Hirschkind, Anthropologist (USA)
İpek İpekçioğlu, DJ, Producer, and Curator (Germany)
Kimi Kärki, Musician and Metal Scholar (Finland)
Keith Kahn-Harris, Sociologist and Metal Scholar (UK)
Johannes Kreidler, Composer (Germany)
Minuit De Lacroix, Composer and Singer/Songwriter (Mexico/Germany)
Kamen Nedev aka Acoustic Mirror, Scholar and Sound Artist (Spain)
Dave Phillips, Noise Musician (Switzerland)
Annette Schmucki and Reto Friedmann aka Blablabor, Composer and Writer (Switzerland)
Trullesand, Singer, Songwriter, and Producer (Germany)

Video Cut: Stephan Hermann, Coupdoeil

Some quotes from this debate were published in the second Norient book Seismographic Sounds.

Published on June 28, 2016

Last updated on August 11, 2020

Topic

Protest

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Seismographic Sounds: Debates

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Bedroom Producers

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Exile Guayla: Episode 01 – Music

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