Does a crematorium really have worst sounds in the world? Is there a sound free of any symbolic meaning?

  • Podcast by Abhishek Mathur

    «Friction brings movement and this friction makes me move personally.» Fabrizio di Salvo & Roberto Maqueda

  • Short Essay by Rebecca Favale
    Before the first note is played, listening has already begun. This essay explores how walking through the landscape around Nextones in Italy becomes part of the listening experience, blurring place and performance.
  • Interview by Hugo Emmerzael
    How can music capture the violence of war without turning it into spectacle? Grammy Award-winning composer Sam Slater talks about scoring documentaries like «Chernobyl» or «2000 Meters to Andriivka», blending frontline sounds, ghostly voices, and self-built instruments.
  • Podcast by Abhishek Mathur

    «The theremin has swallowed me into its microtonal universe.» Dorit Chrysler