Salomé Voegelin is an artist and writer engaged in listening as a socio-political practice. She writes essays, books and text-scores for performance and publication. Recently her book Sonic Possible Worlds 2014/21 appeared in a revised second edition, extending the discussion on the sonic possibility of the world to rethink normative constructions and fabulate a different body from its sound. Voegelin’s practice engages in participatory, collective, and communal approaches and uncurates curatorial conventions through performance. She is a Professor of Sound at the London College of Communication, University of the Arts London, and currently represents the Professorship in Sound Studies at the University of Fine Arts Braunschweig.