Snaps

The legendary «Donaueschinger Musiktage» offer in its 2018 edition a different perspective on how we perceive synthesizers. In the commissioned pieces, the composers Marcus Schmickler and Florian Hecker take the sounds from the past to the now.

Berlin-based producer Kritzkom rarely works with samples and, accordingly, on her 2016 techno track «Inner March for Utopia» synth basses and melodies dominate. But if one digs deeper one can find the traces of a sample of the Kurdish national anthem.

Grown on the Czech music platform bandzone, anti-music is a trashy music wave that is about music that nobody wants to listen to: amateurish lo-fi recordings made by funny and nerdy «musicians» who play old and broken music instruments.

Sandeep Bhagwati works in various musical traditions and has roots in Asia, Europe and North America. He self-identifies as a Native Alien and claims: to feel unquestioned ties to one’s own place.

For centuries dabke was a local tradition in Syria, but in the late 1990s, it has become urban. Thereby, the popular dance music was reimaginated and globalized. Under the name «new wave dabke» special stylistic idoms have become noticeable.

The ways in which music videos generate money have changed since the days of MTV. The rise of YouTube came along with the hope for democratization, but this as been diluted due to corporatization. Is this a threat to cultural diversity?

Im Zeitalter der universellen Verfügbarkeit sind einzelne Menschen obsolet geworden. Dafür jedoch, sagt das Hamburger Künstlerkollektiv Kommando Himmelfahrt, sind sie weniger einsam, oder nicht? 

Often, the politics of a song are carried in its lyrics. However, can instrumental electronic music also create concrete criticism? An investigation of D. Glare's song «Gentrification Death Certificate».