Snaps

Filmmaker Mike Calandra Achode and DJ and music producer Francesco Cucchi recount their first-hand experience with the three attitudes the Italian cultural sector takes on to defend itself from experimentation, diversity, and multicultural avant-gardism.

Milan-based activist, radio DJ, and journalist Sonia Garcia sheds light on the cultural and musical background of her community-healing project (and radio show) SAYRI, a politicized space for queer latinx celebration in the context of Italian clubbing.

Taking cues from his interdisciplinary and research-based project Turbo Sud, visual artist and music producer Agostino Quaranta unearths the almost forgotten memories of electronic experiments made with pizzica pizzica, in the Southeast of Italy.

What was the role played by the Italian-American community in the U.S. in the development of disco music? Reflecting on the Italian diaspora’s cultural impact could foster a less toxic debate on the presence of ethnic minorities in the Italian peninsula.

Life in Milan through a foreigner’s eyes: A mix of indifference to the Other, social invisibility, and Italy’s dependence on cultural artifacts imported from overseas.

Philosopher and scholar Federico Campagna reflects on the cultural and anthropological context of late Baroque music in 1700s Europe and Italy, and explores the intersections between art, philosophy, and religion in the time of Italian painter Giovanni Battista Tiepolo.

Through the intersections of new music styles, dedicated clubs, and unprecedented economic progress, the Italian LGBTQIA+ community found a mental and physical space that was free from the social and political pressure of post-WWII Italian society.

London-based Italian writer Marco Mancassola reflects on his personal relationship with the oeuvre of renowned Sicilian art pop musician Franco Battiato.