Snaps

In a 4-part series, Guy Baron reflects upon the making of his album «Post-Euphoria». Utilizing practice-based research, he examines notions of nostalgia in relation to lost experiences and club music.

How some of the most forward-thinking contemporary musicians and visual artists from the Bay Area have been shaped by the region’s social, cultural, and political landscape and how they work with these limitations and contradictions.

In this essay, the composer Constanza Bizraelli reflects on the potential of technology to channel sound practices as radical participatory action, inspired by the workshop «Resonation: To Infinity & Beyond» of the One Beat residency program.

The Festival International de Música de Alturas (FIMA) is a pioneering Peruvian initiative that brings together, promotes, and integrates the music and culture of the mountains of the world. Listen to their most recent podcasts in Spanish and Quechua.

In the essay collection «Nothing Sounds the Way It Looks» 30 writers from 17 countries reflect on their worries, dreams, and hopes in the 21^st century. Inspired by the films of the 10^th Norient Film Festival, divided into 8 central Norient Topics.

Musicians operate in a market that demands constant productivity and innovation. After her participation in two workshops at the One Beat Virtual residency program, musicologist Monika Żyła calls for new modes of artistic production, based on sharing rather than competition.

The term tradition has often reinforced an essentialist notion of an artist’s relationship to their origins. In an essay inspired by the «One Beat» residency program, musicologist Rim Jasmin Irscheid is struck by musicians cultivating musical heritage as empowerment.

This first episode of the podcast series «Modes of Listening & Sound Practices» explores the modes of listening that Maier and Kaur adopted on their sound walks through Berlin.