Snaps

Die Klarinettistin Shabnam Parvaresh beschreibt die Musik ihrer Kindheit und Jugend. Die Erinnerungen an ihr Elternhaus verbinden sich mit geliebten Tonträgern und endlosen Downloads. Was sie als Musikerin noch im Gepäck hatte, entdeckte sie aber erst in Deutschland.

The audiovisual artist Shaahin Peymani and his family share a long history of migration from Iran to Germany and back. Here he maps the route from his German grandmother’s migration diary alongside one of his own compositions.

A poetic encounter with the different family histories of poet Tanasgol Sabbah and bassist Reza Askari. Weaving together experience, memory, and narrative, this piece switches between languages, and allows uncertainty about what is said and what is imagined.

The audiovisual artist Shaahin Peymani and his family share a long history of migration from Iran to Germany and back. Here he maps the route from his German grandmother’s migration diary alongside one of his own compositions.

Kamwangi Njue traces the story of political (i.e. conscious) music in Kenya, drawing on his own biography. He asks: Can conscious music achieve the impact it seeks when it has to play in the same sphere as popular music made purely for entertainment?

Conscious Kiswahili rap gave the youth a voice of protest towards the turn of the millennium. Today, more mainstream popular musicians have joined in, making music with direct critical messages.

Nairobi’s Westlands district is the rich side of a highly unequal city. But it also provided a space for electronic musicians and music-lovers from across social divides.

Nairobi’s West/South C area was the home of the «Boomba» party sound. Now only the bars remain. What happened?