By Moses Iten on June 7, 2013
By Moses Iten on 7 June 2013 in
STORIES
Since the beginning of the 21st century «new wave cumbia» has been growing as an independent club culture simultaneously in several parts of the world. An insider perspective on a rapid evolution.
Posted in STORIES | Tagged 3ball, 3ball MTY, Afrodita, Argentinia, Bomba Estéreo, Buenos Aires, Carlos Parraga, Cary Joji Fukunaga, Celso Piña, Chakruna, Chambelan, Chicha Libre, Colombia, Cordoba, Cumbia, Cumbia Chicha, Cumbia Colombiana, Cumbia Digital, Cumbia Electrónica, Cumbia Sonidera, Cumbia Tropical, Cumbia Villera, Daleduro, Damas Gratis, Danzas, Dead Menems, Dick El Demasiado, Diego Bulacio, DJ Negro, DJ Rupture, DJ Taz, DJ Vampiros, DJs Dengue Dengue Dengue!, El Hijo de la Cumbia, Fantasma, Festicumex, Frente Cumbiero, Fruity Loops, Gavin Burnett, Ghetto Cumbia, Gonzalo Martinez, Gonzalo Martinez And His Thinking Congas, Grant C. Dull, Grupo Chambelán, Jace Clayton, Juaneco y su Combo, La Super Cumbia Futurista, Los Chapillacs, Los Destellos, Los Hijos del Sol, Los Macuanos, Los Mirlos, Los Tigres de Tarapoto, Mambotur, Marcelo Fabian, Maria y Jose, Mexico, Mexico City, Monterrey, Moses Iten, Multicolor Recordings, Nortec Collective, norteno folk music, Nu-Cumbia, Nuevo Cumbia, Olivier Conan, Oro11, Out of the Absurdity of Life, Pablo Lescano, Plastilina Mosh, Randy Salazar Jr., Rigo Tovar, Senor Coconut, Shawn Reynald, Simón Mejia, Sonidero DJ, Sonido Amazonico!, Sonido Changorama, Sonido Desconocido II, Thomas «Soup» Campbell, Tijuana, Toy Selectah, Tribal Guarachero, Uwe Schmidt, Villa Diamante, Worldmusic 2.0, Zizek club, ZKK-Records, ZZK sound vol. 1 |
