By Thomas Burkhalter (Norient) on May 15, 2018
By Thomas Burkhalter (Norient) on 15 May 2018 in
STORIES
Bishi Bhattacharya and Matthew Hardern have been working together for ten years now. Composer, artist, performer, and club impresario Hardern (aka Glamorre) tells us about the hidden politics and intentions of their project.
Posted in STORIES | Tagged Albion Voice, art, Bauhaus, Bishi, Bishi Bhattacharya, Cubists, Exotica, Glamorre, God Save the Queen, Harder Faster Louder, Irony, Islamic State, Kash Point, La Boeuf sur le Toit, Leigh Bowery London, Matthew Hardern, Multiculturalism, NWA Pussy Riot, One Nation (under CCTV), Power, Protest, Seismographic Sounds, Sex Pistols, Siouxsie and the Banshees, Smashing, speed darkcore, The Mint Tea Rooms, The Siren Suite, Transnationality |
By Thomas Burkhalter (Norient) on March 17, 2018
By Thomas Burkhalter (Norient) on 17 March 2018 in
STORIES
The Lebanese-Swiss duo Praed experiments with sounds that cultural elites call trash or kitsch. Through Praed’s style, they attack cultural canons within the Arab World, and they present a fresh mix towards Europe. Here is a different take on Exotica.
Posted in STORIES | Tagged 8 Giga, Aleppo, Anarchive, Annihaya, Authenticity, belly dance, Björk, Charles Hirschkind, CW Tapes, dabké music, Electro Sha‘abi, Europe, Exotica, folclore, Gamal Abdel Nasser, Irony, Islam Chipsy, Kitsch, Lebanon, made in Japan, Mahmoud El Husseini, Mahragan, Maqsum Rhythm, mijwiz, New Conceptualism, New Music, Omar Souleyman, Othering, Paed Conca, Parody, Post Digital Pop, Praed, Raed Yassin, Sampling, Seismographic Sounds, Sha‘ban ‘Abd al-Rahim, sufi, Taste, The Ethical Soundscape: Cassette Sermons and Islamic Counterpublics, Trash |
By Oliver Seibt on March 6, 2018
By Oliver Seibt on 6 March 2018 in
STORIES
Ethnomusicologists used to travel to exotic islands to research local music. Today, their fieldtrips lead to scattered urban place. German scholar Oliver Seibt conducted three months of research in the Tokyo visual-kei scene, and stood out of the crowd.
Posted in STORIES | Tagged Androgynous, arm fan, bangyaru-ô, Desire, ensei, Ethnomusicology, Exotica, expedition, Fan Culture, field trip, furitsuke, Gender Roles, head banging, Ikebukuro, Jacques Lacan, Japan, kabuki theatre, kamitem sorosaki, onnagata, onnagatakabuki theatre, sansen, Seismographic Sounds, Shinjuku, solo blossoming, Takadanobaba, tesensu, Tokyo, Visual Kei |
By Gerald Van Waes on February 12, 2018
By Gerald Van Waes on 12 February 2018 in
STORIES
The history of «Exotica» is rich in amazing music, sounds, instruments, and stories. Gerald Van Waes collects these often rare and obscure sounds and writes about them on his blog psychevanhetfolk. For us he wrote a manifesto for exotica.
Posted in STORIES | Tagged adams family, african, ananda shankar, anatolian folk, ancient future, Ayuo, belly dance, besbo best & the super lounge orchestra, don cherryfusions, Escapism, esthema, Exotica, fantasy, go-go, gualberto, Indialucía, indian, ixtahuelle, Japan, Jazz, joe harriott, lele lele, local folk music, martin denny, modular, mööndö, new-exotica, pharoah sanders, Ravi Shankar, russkie wig-out, sacha silva, Seismographic Sounds, Senor Coconut, sergeant pepper’s lonely heartclub band, shonghai, tony scott, turkish music |
By Vladimir Lenhart on January 19, 2018
By Vladimir Lenhart on 19 January 2018 in
AUDIO
The Serbian musician and journalist Vladimir Lenhard, founder of the tape label Lenhart Tapes, has remixed sounds, interviews, videos, and other material from the section of «exotica» from the Norient exhibition Seismographic Sounds.
Posted in AUDIO | Tagged Exotica, Kitsch, Lenhart Tapes, Othering, Seismographic Sounds, Seismographic Sounds Mixes, Vladimir Lenhart |
By Xander Ferreira on December 29, 2017
By Xander Ferreira and Thomas Burkhalter (Norient) on 29 December 2017 in
STORIES
With his project Gazelle, Xander Ferreira aims to show the diversity of cultures in South Africa, and to translate the political strategies of African dictators to the world of pop music. Ferreira is white, which became an issue.
Posted in STORIES | Tagged African dictators, Appropriation, Black Noise, Conceptual Art, Cultural Appropriation, Die Antwoord, Exotic, Exotica, exploitation, Gazelle, Graceland, Idi Amin, Jack Parow, Ladysmith Black Mambazo, London, Mobutu Sese Seko, Mozambique, Muammar al-Gaddafi, Nick Matthews, Paul Simons, Radioclit, Segregation, Seismographic Sounds, Sotho, South Africa, The Very Best, Xander Ferreira |
By FrankJavCee on November 30, 2017
By FrankJavCee on 30 November 2017 in
STORIES
The Internet genres vaporwave and seapunk mix slowed-down 1990s smooth jazz with house music, and cannot live without images of dolphins, palm trees and Greek marble statues. A round up.
Posted in STORIES | Tagged Appropriation, Aqua Thief, Azelia Banks, Blank Banshee, DJ Warlord, Exotica, FrankJavCee, Internet Art, Irony, Macintosh Plus, memes, Post Digital, Ramona Andra Xavier, Rihanna, Saint Pepsi, satire, Seapunk, Seismographic Sounds, Vaporwave, Vektroid |
By Johanna Hilari on October 18, 2017
By Johanna Hilari on 18 October 2017 in
VIDEO
«Somos Sur» by Ana Tijoux, featuring Shadia Mansour, is an anti-colonialist statement of autonomy. To underline this, the video clip re-contextualizes two significant folk dances, which historically are linked to both socio-political identification and struggle.
Posted in VIDEO | Tagged Ana Tijoux, Bolivia, Chile, Dabké, dance, Exotica, Folklore, Johanna Hilari, Pachamama, postcolonial, Potosí, Seismographic Sounds, Shadia Mansour, Social Movement, Somos Sur, Tinku |
By Hannes Liechti (Norient) on August 10, 2017
By Hannes Liechti (Norient) on 10 August 2017 in
STORIES
Aniruddha Das understands sampling as a political, yet militant instrument. In the interview he gives insight into his sampling practice and talks about musical exoticism, political meaning, and his use of distortion.
Posted in STORIES, XFEATURED | Tagged Ableton, Advocacy, Aniruddha Das, Appropriation, Asian Dub Foundation, Bryn Jones, Chris McGuinness, Cultural Meaning, Diaspora, Digitakt, distortion, Dr. Das, Elektron, Exotica, Glokale Sounds, Hannes Liechti, Migration, Miles Davis, Multiculturalism, Music and Politics, Muslimgauze, Ohmicide, racism, Sampling, Sampling Motivations: Identity, Sampling Motivations: Politics, Sampling Stories, SNF, Technology |
By Jesse Weaver Shipley on April 15, 2017
By Jesse Weaver Shipley on 15 April 2017 in
VIDEO
The song «BRKN LNGWJZ» and its video announce the FOKN Bois as critical, global, political, and absurdist hip hop voices. It marks the birth of international pidgin rap not only as a style once can dance to, but as a modernist multi-media art form.
Posted in VIDEO | Tagged BRKN LNGWJZ, Coz Ov Moni, Exotica, FOKN Bois, Ghana, Hip Hop, Hustling, Jesse Weaver Shipley, M3nsa, Parody, Pidgin, Seismographic Sounds, Smoothe Da Hustler, Wanlov The Kubolor |
By Maame Adjei on April 12, 2017
By Maame Adjei and Thomas Burkhalter (Norient) on 12 April 2017 in
AUDIO
«It’s like a deformed anger which comes out us», says Wanlov the Kubolor, one half of the Ghanaian rap duo FOKN Bois. With his musical partner M3nsa he talks about their visions and their way of doing art in a religious context.
Posted in AUDIO | Tagged Blasphemy, Exotica, FOKN Bois, Ghana, M3nsa, Maame Adjei, religion, Seismographic Sounds, Seismographic Sounds Podcasts, Thomas Burkhalter, Wanlov The Kubolor, YouTube |
By Wendy Hsu on April 10, 2017
By Wendy Hsu on 10 April 2017 in
ACADEMIC
Taqwacore combines an alternative practice of Islam with a punk ethos, best known through the U.S. band The Kominas. Norient’s 4-part series of Wendy Hsu deals with the band’s experiences as brown-identified, South Asian Americans living in the US.
Posted in ACADEMIC | Tagged 9/11, Belonging, Cold War, Cultural Appropriation, Desire, Exotica, fundamentalist, hate-mail, Homeland Security, Islam, Islamophobia, McCarthyism, Muslim, Muslim Punk, polyculturalist, Punk, racism, Sex Pistols, Sharia Law, solidarity, South Asian Americans, Taqwacore, Taqwacore: Punk Polyculturalism, The Kominas |
By Martin Stokes on April 7, 2017
By Martin Stokes and Thomas Burkhalter (Norient) on 7 April 2017 in
STORIES
What happens to Exotica when unfamiliar sounds are only few mouse-clicks away? Is listening to «foreign» music a private matter or a political activity? An email interview with scholar Martin Stokes.
Posted in STORIES | Tagged Anthropology, Barbara Engh, colonialism, Cultural Colonialism, Ethnocentrism, Ethnomusicology, eurocentric, Exotica, Exoticism, Martin Stokes, Music and Politics, Neoliberalism, Orientalism, Othering, Parody, postcolonial, Sampling, satire, Seapunk, Seismographic Sounds, Vaporwave |
By Hannes Liechti (Norient) on March 22, 2017
By Hannes Liechti (Norient) on 22 March 2017 in
BLOG
With her new project, COOL FOR YOU, Berlin-based multidisciplinary artist Vika Kirchenbauer tends to «decompose harmonies as colonizers». What comes out are high-pitched voices, unfamiliar harmonies, and rumbling and raw rhythms.
Posted in BLOG | Tagged Appropriation, archive, Belonging, Christianity, colonialism, COOL FOR YOU, Ethics, Exotica, Glokale Sounds, Hannes Liechti, Harmonies, history, Identity, Institutions, Lauren Berlant, Mission, Othering, Pitching, postcolonial, Power, religion, Sacred Harp, Sampling, Sampling Motivations: Politics, Sampling Stories, Shulamith Firestone, SNF, US, Vika Kirchenbauer, World Music |
By Noko 440 on March 15, 2017
By Noko 440 on 15 March 2017 in
AUDIO
They love to provoke and they love to extravagate. London-based underground musician Bishi Bhattacharya and her musical partner Matthew Hardern talk about their biographies, race, and their common project «Albion Voice».
Posted in AUDIO | Tagged Albion Voice, Bishi, Bishi Bhattacharya, Exotica, Matthew Hardern, Nationalism, Night Club, Noko 440, Norman Fisher-Jones, Race, Seismographic Sounds, Seismographic Sounds Podcasts, Tradition |
By Eric Mandel on December 30, 2016
By Eric Mandel on 30 December 2016 in
BLOG
Aus der Geschichte gelernt: Der Film «A Story of Sahel Sounds» erzählt von einem Labelmacher aus den USA, der Musiker aus Afrika veröffentlicht und Touren organisiert – mit DIY- und Fairtrade-Ethos statt kultureller Ausbeutung.
Posted in BLOG | Tagged 8. Norient Musikfilm Festival, A Story of Sahel Sounds, Christopher Kirkley, DIY, Exotica, Fairtrade, Les filles de Illighadad, Mali, Mamman Sani, Mdou Moctar, Race Music, Sahel, Takamba Niamey Denn |
By Dominik Irtenkauf on August 9, 2016
By Dominik Irtenkauf on 9 August 2016 in
STORIES
The death metal band Overthrust from Botswana is a central part of Africas lively metal scene. Their singer Tshomarelo Mosaka about the local scene, breaking taboos and the cathartic effect of listening to metal as watching a horror movie.
Posted in STORIES | Tagged Botswana, Death, Death Metal, evil spirits, Exotica, Finland, Heavy Metal, Namibia, Obituary, Overthrust, Saxon, taboo, Zambezi river |
By Nabeel Zuberi on July 4, 2016
By Nabeel Zuberi on 4 July 2016 in
VIDEO
Bishi’s video of «Albion Voice» is reminiscent of the Sex Pistols. She subverts imagery of the national flag while she inserts herself into a pastoral old England to question white Britishness.
Posted in VIDEO | Tagged Albion Voice, Bishi, Bishi Bhattacharya, Brexit, Britannia, British psychedelia, British-Indian, Britishness, Daniel Defoe’, Derek Jarman, Downton Abbey, empire, Exotica, Folk, Heritage, hybridized identity, Indian raga, Jamie Reid, Jubilee, Migration, Morrissey, Nation, national flag, national voice, Nationalist Music, Nostalgia, pastoral, post-imperial migration, Punk Rock, Queen Elizabeth, queer film, Ravi Shankar, Rule Britannia, Seismographic Sounds, Sex Pistols, South Asian, subversive, Tradition, video, weaving of clans, white Britishness |
By Louise Gray on June 27, 2016
By Louise Gray on 27 June 2016 in
VIDEO
The music of the british artist Bishi Bhattacharya works perfect as a comment on Brexit. In her songs and artwork, she is hijacking and redefining notions of being «british» and claims a multicultural commonwealth.
Posted in VIDEO | Tagged Albion Voice, Annexation, Beatles, Bishi, Bishi Bhattacharya, Brexit, British Empire, colonialism, commonwealth, Diamond Jubilee, Elizabeth II, England Is Mine, Englishness, Exotica, glory, India, Jamie Reid, King Arthur, London Calling, Matthew Hardern, Michael Bracewell, Morrissey, multicultural, New Folk, Oriental, otherness, pastoral song, Queen Bishi, Race, representation, Seismographic Sounds, Sex Pistols, Situationist, Sukhdev Sandhu, The Canterbury Tales, William Blake
By Norient on April 15, 2016
By Norient on 15 April 2016 in
BLOG
Das zweite Norient Buch «Seismographic Sounds – Visions of a New World» führt ein in eine aktuelle Welt unterschiedlichster Musik, Sounds und Musikvideos. Geschrieben von 250 Wissenschaftlern, Journalistinnen, Blogger und Musikerinnen aus 50 Ländern.
Posted in BLOG | Tagged Annegreth Schärli, Belonging, Desire, Exotica, gut & schön, Hannes Liechti, Loneliness, Money, Norient Books, Seismographic Sounds, Theresa Beyer, Thomas Burkhalter, War |
By Norient on April 15, 2016
By Norient on 15 April 2016 in
STORIES
The second Norient book «Seismographic Sounds – Visions of a New World» introduces you to a contemporary world of distinct music and music videos. Written by 250 scholars, journalists, bloggers and musicians from 50 countries.
Posted in STORIES | Tagged Annegreth Schärli, Belonging, Desire, Exotica, gut & schön, Hannes Liechti, Loneliness, Money, Norient Books, Seismographic Sounds, Theresa Beyer, Thomas Burkhalter, War |
By Percy Mabandu on February 10, 2016
By Percy Mabandu on 10 February 2016 in
STORIES
Percy Mabandu takes us through a maze of hit music videos to study the genre’s fascination with performed exotica. African clichés or a re-connection with tradition and the past by nostalgic modern taste-makers?
Posted in STORIES | Tagged 3XTshi, Afrika, Big Nuz, Bruce Patterson, Clichés, DJ Cleo, DJ Fisherman, dj ganyani, Exotica, FB, G'Sparks, Heritage, House, Human Zoo, Identity, Jacob Zuma, Liquideep, Lucie Bdt, Mustache, Nostalgia, Othering, Percy Mabandu, Performed Exotica, Pilot Films, Saartjie Baartman, Seismographic Sounds, Shangaan, South Africa, South African House, Stereotypes, Südafrika, Sue Williamson, Tony Mikimi, Tradition, Tribal, Tribal Life, Wedding, Zulu |
By Chris Saunders on January 27, 2016
By Chris Saunders on 27 January 2016 in
BLOG
In his photo series for the Norient book and exhibition «Seismographic Sounds», photographer Chris Saunders portrays the vivid and now exploding South African music scene. With Tshetsha Boys, Nozinja, DJ Spoko, DJ Invizable and Spoek Mathambo.
Posted in BLOG | Tagged 7. Norient Musikfilm Festival, Bacardi House, Chris Saunders, DJ Invizable, Exotica, Fantasma, Gazelle, Nozinja, Photo Series, Seismographic Sounds, Seismographic Sounds Photo Series, Shangaan Electro, South Africa, Spoke Mathambo, Spoko, Warp Records |
By Ben Verghese on January 25, 2016
By Ben Verghese on 25 January 2016 in
VIDEO
Present day South African artists like Nozinja and Okmalumkoolkat let time and cultures collide, and in mixing languages, slangs, dances and rituals they create new homes. Commentary on the recent music video «Allblackblackcat» by the latter.
Posted in VIDEO | Tagged 7. Norient Musikfilm Festival, Afrofuturism, Ben Verghese, BoyznBucks, Chris Saunders, Counterculture, Dirty Paraffin, DIY, Dr SpiZee, Exotica, HipHop Pa, Hyperdub, innovation, Internet, Johannesburg, Language, LV, Mzansi, Ngugi wa Thiong’o, OkMalumKoolKat, Prophets of Da City, RSA, science fiction, Seismographic Sounds, Smiso Zwane, South Africa, Tumi Molekane, Utopia, Vanderbijlpark, Vernac, Zulu |
By Atiyyah Khan on December 10, 2015
By Atiyyah Khan on 10 December 2015 in
VIDEO
Rapper Okmalumkoolkat channels his experiences from South Africa into his music with ease. He looks inward, back into the past, and forward to an imaginary future. In his video «Allblackblackkat» he mixes a variety of dreamlike elements.
Posted in VIDEO | Tagged 7. Norient Musikfilm Festival, Afrikaans, Atiyyah Khan, Chris Saunders, Dream, Durban, Exotica, Johannesburg, LV, OkMalumKoolKat, Pantsula, Past, Present, Ritual, RSA, Seismographic Sounds, Smiso Zwane, South Africa, Swenka Culture, Time, Tradition, Umlazi, Umswenko, Zulu |
By Julio Mendívil on October 12, 2015
By Julio Mendívil on 12 October 2015 in
STORIES
The Peru-born author performed with folkloric groups on the streets and squares of Germany to earn his living. Here, he discusses amongst others how Andean musicians changed their repertoire to meet German tastes.
Posted in STORIES | Tagged Alborada, Andean music, Augusto Pinochet, Bolivia, Buenos Aires, Buskers, Carlos Vila, Chile, Ecuador, ethnography, Ethnomusicology, Exotica, Fernando Ríos, Folklore, Germany, Identity, Illapu, Incas, Indians, Inti Illimani, Jean-Philippe Rameau, Julio Mendivil, Karl May, La Paz, Los Clchakis, Los Incas, Los K’jarkas, Mallku, Migration, música latinoamericana, Nueva Canción Chilena, Oliver Shanti, Othering, Paris, Paul Simon, Peru, Quilapayún, Raymond Thévenot, Salvador Allende, Savia Andina, Seismographic Sounds, Sixto Ayvar, Teobaldo Martínez, Uña Ramos, Urubamba |
By Thomas Burkhalter (Norient) on April 18, 2015
By Thomas Burkhalter (Norient) on 18 April 2015 in
BLOG
Blank Banshee creates audio-visual works full of samples and exotic images. He is often mentioned as one of the pioneers of Vaporwave. We tried to interview this desktop artist from Vancouver. And we probably failed.
Posted in BLOG | Tagged Blank Banshee, Canada, Chrono Cross, Exotica, Exoticism, Hedonism, Post Digital, Sampling, Seismographic Sounds, Vancouver, Vaporwave, Yasunori Mitsuda |
By Florian Sievers on October 23, 2014
By Florian Sievers on 23 October 2014 in
STORIES
Der südafrikanische Musikproduzent Nozinja hat die traditionelle Musik seines Volks radikal entkernt, elektrifiziert und beschleunigt. Er bewahrt die Traditionen dadurch, dass er sie ständig verändert.
Posted in STORIES | Tagged BBC, Benedikt Sartorius, bricolage, dance, Exotica, Florian Sievers, Folklore, Honest Jon's, innovation, M.D. Shirinda, Musikbeilage WoZ 2014, Nozinja, Richard Mthetwa, Seismographic Sounds, Shangaan, Shangaan Electro, Südafrika, Thomas Burkhalter, Tiyiselani Vomaseve, Tshetsha Boys, Warp, Wills Glasspiegel, Xitsonga Dance, Zinja Hlungwani |
By Anja Wernicke on June 5, 2014
By Anja Wernicke on 5 June 2014 in
STORIES
«Shakira ist die Allzweckwaffe des Exotizismus in der Popmusik» sagt Dr. Markus Henrik Wyrwich im Interview. Neben anderen Norient-Autorinnen und Autoren trägt er auf der Tagung «Popular Orientalism(s)» in Hildesheim (7. – 9.11.) vor.
Posted in STORIES | Tagged Beautiful Liar, Dossier: Popular Orientalism(s), Edward Said, Exotica, Johannes Ismaiel-Wendt, Kareen Roustom, Keith Negus, Marcel Eng, Markus Henrik Wyrwich, Maroon 5, Orientalism, Orientalismus, Popular Music, Popular Music Studies, Postkolonialismus, Shakira |
By Thomas Burkhalter (Norient) on January 27, 2011
By Thomas Burkhalter (Norient) on 27 January 2011 in
ACADEMIC
Musiker aus Afrika, Asien und Lateinamerika formulieren selbstbewusste nach-koloniale Positionen. Ihre Parodien auf Exotika und der Fokus auf Gewalt zeigen aber: Alte Abhängigkeiten haben weiterhin Bestand.
Posted in ACADEMIC | Tagged Adham Hafez, Avant-Garde, baile funk, baltimore club, beat research, Beatniks, Beirut, Cairo, Charbel Haber, Checkpoint 303, Cumbia, Cynthia Zaven, detroit ghettotech, Die Antwoord, digitalization, Diplo, DJ Rupture, Dossier Arab World, Dossier World Music 2.0, Dubsided, dubstep, Exotica, Favela Chic, Gazelle, Ghislain Poirier, glitch, Global Ghettotech, Globale Nischen, globalization, grime, Halim al-Daph, Hassan Khan, Jagwa, K'Naan, Kode 9, kuduro, kwaito, Luigi Russolo, M.I.A, Mad Decent, Mahmoud Refat, Major Lazer, Man Recordings, Mazen Kerbaj, Music 2.0, Music and Satire, Nortec, Omar Souleyman, Osman Arabi, Out of the Absurdity of Life, Outhere Records, Pastiche, Postkolonialismus, postmodern, Raed Yassin, Ramsi Lehner, reggaeton, Schlachthofbronx, Scrambled Eggs, Secousse, Shangaan, Shangaan Electro, Steve Goodman, Tam Tam Motherland, Tarek Atoui, Tashweesh, Terry Lynn, The Hardcore Continuum, Thementage2012, UK Funky, Veit Erlmann, War, Wayne Marshall, Werner Jauk, Wildlife, World Music 2.0 |
By Thomas Burkhalter (Norient) on July 16, 2010
By Thomas Burkhalter (Norient) on 16 July 2010 in
STORIES
Die tamilische Sängerin M.I.A. schockt mit ihrem neuen Gewaltvideo. Die Südafrikaner Die Antwoord locken mit Ironie 5 Millionen Besucher auf You-Tube.
Posted in STORIES | Tagged Avant-Garde, baile funk, baltimore club, Cumbia, detroit ghettotech, Die Antwoord, digitalization, Diplo, DJ Rupture, Dossier World Music 2.0, dubstep, Exotica, Gazelle, Ghislain Poirier, glitch, Global Ghettotech, globalization, grime, K'Naan, kuduro, M.I.A, Major Lazer, Music 2.0, Music and Satire, Nortec, Omar Souleyman, Postkolonialismus, postmodern, Raed Yassin, reggaeton, Tam Tam Motherland, Tarek Atoui, Terry Lynn, UK Funky, War, Wildlife, World Music 2.0 |
