When Peter Guyer and Thomas Burkhalter were filming Contradict, they worked with female Ghanaian creatives to assemble a portrait of a generation tackling the post-colonial struggles, and how they see feminism after it gained an increasing global presence.
Since hip hop’s birth, samples of politicized words have resonated across genres, be it punk anti-establishment, jaunty new-wave experimentations, or EDM’s uplifting calls for unity. Lola Baraldi traces out music that gives political words a new meaning.
When making their film on the music scene in Ghana, Peter Guyer and Thomas Burkhalter discussed how to deal with the ethics of representation. Together with local artists, they decided to shoot a documentary that was not just about the scene, but created with it.
Since 2014, Hong Kong’s art and music industries have been baptized by a political awakening. Artists like Susi Law got elected into district councils. Law is not one for big speeches and her aural sensitivity could be beneficial to Hong Kong’s political crisis in 2020.
«People in Ghana have gone overboard with religion, politics, and corruption», says FOKN Bois' Wanlov the Kubolor. A critical investigation of the relevance of religion and churches in Ghana.
Country Music has been long associated with a strong focus on its country of origin. When Peter Guyer and Thomas Burkhalter were filming their «Contradict» in Ghana, they discovered that it is very popular in West Africa.
The Nature Loves Courage Festival in Greece foregrounds female-identifying, queer and non-binary artists and contributes to the development of what is known as post-club culture. What can this festival tell us about today's club culture in general?
Georgia's capital Tbilisi has a vivid electronic music scene. Although more and more artists are involved, there are hardly any official live venues in the city. Read Jan Chudozilov's photo series about informal music spaces.
Colonialism isn’t over, it’s just less visible. As a curator of the Berlin-based label Global Pop First Wave, Holger Lund feels entangled in neo-colonial paradoxes. An essay about the westernization of pop music and why its decolonization is inevitable.
