«This is Bate Bola» follows the carnival celebrations in Rio's poor neighborhoods. While watching the movie, research duo A Parede discovered contradicting ideals of masculinity.
Environmental sounds challenge Matthew Herbert more than a piano does. With noises of exploding bombs, collapsing buildings, and a dying pig he creates both abstract tracks and happy dance music.
The documentary «Bamseom Pirates, Seoul Inferno» shows how the band Bamseom Pirates uses punk music to resist the social and political absurdities of present-day South Korea.
The documentary film «Matangi/Maya/M.I.A.» portrays the popstar M.I.A. as a multi-faceted person.
Monzer Darwish's compelling documentary «Syrian Metal Is War» captures the story of how the Metal underground in Syria seeks to survive during war.
The #MeToo movement also reveals other discriminations. In music, sexism often works in tandem with exotism. To resist both, the Egyptian musicians Dina El Wedidi and Youssra El Hawary resurrect an old claim: the personal is political.
The Scandinavian code of conduct «jantelagen» encourages modesty and conformity. The movie «Silvana» shows, how the Swedish rapper Silvana Imam celebrates the exact opposite: pride and individuality.
The relationship between music and place has a long history. This article discusses the academic discourses regarding the relationship between music and place.
In Egypt, the high amount of digitalization has not translated into monetization for most musicians. This is not just because most families live at or below the poverty line. So what does this mean for the future of local artists?