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Hannes Liechti [*1987] lives in Bern, Switzerland, as a musicologist, curator, cultural producer, and music journalist. He is currently working on a doctoral thesis on creative strategies of sampling in experimental electronic popular music at the University of Bern and the Bern University of the Arts. He belongs to the Graduate School of the Arts (GSA) in Bern and is a member of the editorial board of Norient. In 2015 he co-published the second Norient book: Seismographic Sounds. Visions of a New World, and co-curated the corresponding exhibition on global pop. Since 2016 he’s national representative for Switzerland for the German-speaking branch of the International Association for the Study of Popular Music (IASPM D-A-CH). See here for a detailed vita.

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20 responses to “Perspectives on Sampling”

  1. […] This article has been published in the context of the PhD research on Sampling by Hannes Liechti. For more info click here. […]

  2. […] This article has been published in the context of the PhD research on sampling in experimental electronic music by Hannes Liechti. For more info click here. […]

  3. […] This article has been published in the context of the PhD research on sampling in experimental electronic music by Hannes Liechti. For more info click here. […]

  4. […] This article has been published in the context of the PhD research on sampling in experimental electronic music by Hannes Liechti. For more info click here. […]

  5. […] This article has been published in the context of the PhD research on sampling in experimental electronic music by Hannes Liechti. For more info click here. […]

  6. […] This article has been published in the context of the PhD research on sampling in experimental electronic music by Hannes Liechti. For more info click here. […]

  7. […] This article has been published in the context of the PhD research on sampling in experimental electronic music by Hannes Liechti. For more info click here. […]

  8. […] This article has been published in the context of the PhD research on sampling in experimental electronic music by Hannes Liechti. For more info click here. […]

  9. […] This article has been published in the context of the PhD research on sampling in experimental electronic music by Hannes Liechti. For more info click here. […]

  10. […] This article has been published in the context of the PhD research on sampling in experimental electronic music by Hannes Liechti. For more info click here. […]

  11. […] This article has been published in the context of the PhD research on sampling in experimental electronic music by Hannes Liechti. For more info click here. […]

  12. […] The interview was conducted via Skype, 15.11.2017. This article has been published in the context of the PhD research on sampling in experimental electronic music by Hannes Liechti. For more info click here. […]

  13. […] This commentary has been written on the basis of an interview in Berlin on 24.1.2018. This article has been published in the context of the PhD research on sampling in experimental electronic music by Hannes Liechti. For more info click here. […]

  14. […] The interview was conducted in Bern, Switzerland, 4.11.2017. This article has been published in the context of the PhD research on sampling in experimental electronic music by Hannes Liechti. For more info click here. […]

  15. […] This article has been written on the basis of several interviews via email and Skype and personal meetings during Sarkissian’s artist recidency for the ISM Hexadome project at ZKM Karlsruhe between 20.3.2018 and 5.4.2018. This article has been published in the context of the PhD research on sampling in experimental electronic music by Hannes Liechti. For more info click here. […]

  16. […] This article has been written on the basis of an email interview between 16.3. and 26.4.2018. This article has been published in the context of the PhD research on sampling in experimental electronic music by Hannes Liechti. For more info click here. […]

  17. […] This article has been written on the basis of an email interview between 16.3. and 26.4.2018. It has been published in the context of the PhD research on sampling in experimental electronic music by Hannes Liechti. For more info click here. […]

  18. […] Eduardo Navas: «Regenerative Culture» > Hannes Liechti: «Perspectives on Sampling» > Thomas Burkhalter: «The Sample Shapes the […]

  19. […] This article has been written on the basis of two interviews, taken place on 24.11.2017 and 11.4.2018. It has been published in the context of the PhD research on sampling in experimental electronic music by Hannes Liechti. For more info click here. […]

  20. […] The email conversation took place between 10.11.2017 and 15.12.2017. This article has been published in the context of the PhD research on sampling in experimental electronic music by Hannes Liechti. For more info click here. […]