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May 17th 2012 norient
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Wayne Marshall

Esperanto Mix and Bump Dance

Esperanto Mix and Bump Dance

By norient on June 20, 2011

By norient on 20 June 2011 in  AUDIO

Boogat dropped his latest mixtape, exploring Cumbia, Merengue, Dubstep, Dancehall and Moombahton. And Wayne Marshall dropped a dance video.

Posted in AUDIO | Tagged Boogat, Bump, Canada, Choque, Cumbia, Dancehall, dubstep, Ghislain Poirier, merengue, Montreal, Moombahton, Wayne Marshall | Leave a response

Weltmusik 2.0: Zwischen Spass- und Protestkultur

Weltmusik 2.0: Zwischen Spass- und Protestkultur

By Thomas Burkhalter on January 27, 2011

By Thomas Burkhalter on 27 January 2011 in  ACADEMIC

Musiker aus Afrika, Asien und Lateinamerika formulieren selbstbewusste nach-koloniale Positionen. Ihre Parodien auf Exotika und der Fokus auf Gewalt zeigen aber: Alte Abhängigkeiten haben weiterhin Bestand.

Posted in ACADEMIC | Tagged Adham Hafez, Avant-Garde, baile funk, baltimore club, beat research, Beatniks, Beirut, Cairo, Charbel Haber, Checkpoint 303, Cumbia, Cynthia Zaven, detroit ghettotech, Die Antwoord, digitalization, Diplo, DJ Rupture, Dossier Arab World, Dossier World Music 2.0, Dubsided, dubstep, Exotica, Favela Chic, Gazelle, Ghislain Poirier, glitch, Global Ghettotech, Globale Nischen, globalization, grime, Halim al-Daph, Hassan Khan, Jagwa, K'Naan, Kode 9, kuduro, kwaito, Luigi Russolo, M.I.A, Mad Decent, Mahmoud Refat, Major Lazer, Man Recordings, Mazen Kerbaj, Music 2.0, Nortec, Omar Souleyman, Osman Arabi, Outhere Records, Pastiche, postcolonial, postmodern, Raed Yassin, Ramsi Lehner, reggaeton, Schlachthofbronx, Scrambled Eggs, Secousse, Shangaan, Shangaan Electro, Steve Goodman, Tam Tam Motherland, Tarek Atoui, Tashweesh, Terry Lynn, The Hardcore Continuum, Thementage2012, UK Funky, Veit Erlmann, War, Wayne Marshall, Werner Jauk, Wildlife, World Music 2.0 | 9 Responses

Global Ghettotech Discussions

Global Ghettotech Discussions

By norient on October 19, 2010

By norient on 19 October 2010 in  BLOG

A once-obscure music that enjoyed a fanatic embrace in the _______ slums of _______ has become a full-fledged global occasion.

Posted in BLOG | Tagged Dossier World Music 2.0, Global Ghettotech, Globale Nischen, Wayne Marshall, World Music 2.0 | Leave a response

Nu Planetary Wot-U-Call-It 2.5.5

Nu Planetary Wot-U-Call-It 2.5.5

By norient on October 2, 2010

By norient and Wayne Marshall on 2 October 2010 in  BLOG

Wayne Marshall opened a new discussion on his blog. About World Music, Global Ghettotech and other Genre terms and definitions.

Posted in BLOG | Tagged Dossier World Music 2.0, Global Ghettotech, Globale Nischen, Wayne Marshall, World Music, World Music 2.0 | Leave a response

The Rise of Reggaeton

The Rise of Reggaeton

By norient on June 27, 2010

By Wayne Marshall on 27 June 2010 in  STORIES

That beat you’ve been hearing — the steady boom-ch-boom-chick rattling the trunks of passing cars and moving masses in the club — isn’t just another fleeting hip-hop trend. It’s the new sound of the Americas.

Posted in STORIES | Tagged Dem Bow, Dossier World Music 2.0, Globale Nischen, Hybridity, Latin America, New York, Panama, Puerto Rico, reggaeton, Transnationalism, Wayne Marshall, World Music 2.0 | 2 Responses

Global Ghettotech

Global Ghettotech

By norient on June 13, 2009

By Camilo Rocha on 13 June 2009 in  STORIES

The Brazilian journalist Camilo Rocha interviews the ethnomusicologist, DJ and norient writer Wayne Marshall about the latest musical trends around the globe: Reggaeton, Kwaito, Kuduro, and Grime.

Posted in STORIES | Tagged beat research, Diplo, Global Ghettotech, Globale Nischen, grime, juke, kuduro, kwaito, M.I.A, reggaeton, Wayne Marshall | Leave a response

How Globalistas Are Tearing Down Cultural Barriers

How Globalistas Are Tearing Down Cultural Barriers

By Thomas Burkhalter on March 3, 2009

By Thomas Burkhalter on 3 March 2009 in  BLOG

Alan Bishop from Sublime Frequiencies about natural hybrids and self-conscious ones

Posted in BLOG | Tagged 1960s, Psychedelic Music, Seattle, Sublime Frequencies, Thailand, Wayne Marshall, World Music 2.0 | Leave a response

“Globalists” seek Peripheral Sounds

“Globalists” seek Peripheral Sounds

By norient on March 26, 2008

By Camilo Rocha on 26 March 2008 in  STORIES

Most DJs direct their ears to a few musical Meccas in the First World, such as New York, London, Berlin, and Paris. This decade, however, a new category has emerged, globalist DJs who go much further in their musical explorations.

Posted in STORIES | Tagged Diplo, DJ Dolores, DJ Rupture, Dossier World Music 2.0, Ghislain Poirier, Global Ghettotech, Globale Nischen, M.I.A, Maga Bo, Transnationalism, Wayne Marshall, World Music 2.0 | Leave a response

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