Browse: Home / Wayne Marshall
By Norient on January 9, 2013
By Norient on 9 January 2013 in
ACADEMIC
Das erste Norient-Buch diskutiert Zeitfragen und Trends im globalisierten Musikschaffen zwischen Europa, Afrika, Lateinamerika, Asien und den USA.
Posted in ACADEMIC, XFEATURED | Tagged 2012, Africa, Afrofunk, Ali Al Deek, Alois Lüönd, Alpentöne, Ana Tijoux, Anja Brunner, Aubrey Edwards, Barbara Mürdter, Beirut, Ben Harbert, Benedikt Sartorius, Bikutsi, Cameroon, Cumbia, daggering, dance, David Rovics, Die Antwoord, DJ Marcelle, Dossier World Music 2.0, Duboka Ilegala, Ethnomusicology, Field Notes, Filastine, Flurina Rothenberger, FOKN Bois, Free Pussy, Ghana, globalization, Grey Filastine, grime, Highlife, Hip Hop, Hiplife, Hyperpop, Indonesia, Irtijal Festival, Jamaica, Jay Retludge, Jeremy Wallach, Joahnnes Rühl, Julio Mendivil, Kadebostany, Karin Scheidegger, Kink Gong, Laurent Jeannau, London Riots 2011, Marcel Ötiker, Mario Venzago, Milena Krstic, Moses Iten, Mosibuebä, Musiqa Sha'biyya, National Fanfare of Kadebostany, Neo-Tropicália, Neue Volksmusik, New Orleans, New Wave Cumbia, New Wave Dabké, Norient012, Occupy, Outhere Records, Perreo, Philipp Rhensius, Popular Music Studies, Portia Seddon, Pussy Riot, record digging, Refpolk, Retromania, Sampling, Schweiz, Selina Novak, Senegal, Shayna Silverstein, Shonegrad O'Connor, Sissy Bounce, Sonic Traces: From Switzerland, Sookee, Stefan Franzen, Stubete am See, Syria, Tanya Traboulsy, Tanz dich frei, Taraf de Haïdouks, Theresa Beyer, Thomas Burkhalter, Thomas Haferlach, Togo, Traversion, Voodoohop, Vuvuzela, Wayne Marshall, Weltmusik, Weltmusik 2.0, Wildlife, Woody Guthrie, World Music 2.0 |
By Portia Seddon on May 23, 2012
By Portia Seddon on 23 May 2012 in
ACADEMIC
Within the past decade, African-, Latin American-, and Caribbean-centered popular music weblogs have emerged as complex mediated spaces of cultural debate and transformation. // Notes on the Ethnography of Mediated Music.
Posted in ACADEMIC | Tagged aesthetics, Awesome Tapes From Africa, Brian Shimkovitz, digital ethnography, DJ Chief Boima, Dossier South Africa, Dossier World Music 2.0, ethnography, ghettotech, Global Ghettotech, MP3, MP3 blogs, naoj v1, norient academic online journal, Reccord Digging, record digging, Soundscapes, South Africa, Strut Records, Urban Music, Wayne Marshall, World Music 2.0 |
By Norient on June 20, 2011
By Norient on 20 June 2011 in
AUDIO
Boogat dropped his latest mixtape, exploring Cumbia, Merengue, Dubstep, Dancehall and Moombahton. And Wayne Marshall dropped a dance video.
Posted in AUDIO | Tagged Boogat, Bump, Canada, Choque, Cumbia, Dancehall, dubstep, Ghislain Poirier, merengue, Montreal, Moombahton, Wayne Marshall |
By Thomas Burkhalter on January 27, 2011
By Thomas Burkhalter on 27 January 2011 in
ACADEMIC
Musiker aus Afrika, Asien und Lateinamerika formulieren selbstbewusste nach-koloniale Positionen. Ihre Parodien auf Exotika und der Fokus auf Gewalt zeigen aber: Alte Abhängigkeiten haben weiterhin Bestand.
Posted in ACADEMIC | Tagged Adham Hafez, Avant-Garde, baile funk, baltimore club, beat research, Beatniks, Beirut, Cairo, Charbel Haber, Checkpoint 303, Cumbia, Cynthia Zaven, detroit ghettotech, Die Antwoord, digitalization, Diplo, DJ Rupture, Dossier Arab World, Dossier World Music 2.0, Dubsided, dubstep, Exotica, Favela Chic, Gazelle, Ghislain Poirier, glitch, Global Ghettotech, Globale Nischen, globalization, grime, Halim al-Daph, Hassan Khan, Jagwa, K'Naan, Kode 9, kuduro, kwaito, Luigi Russolo, M.I.A, Mad Decent, Mahmoud Refat, Major Lazer, Man Recordings, Mazen Kerbaj, Music 2.0, Nortec, Omar Souleyman, Osman Arabi, Outhere Records, Pastiche, postcolonial, postmodern, Raed Yassin, Ramsi Lehner, reggaeton, Schlachthofbronx, Scrambled Eggs, Secousse, Shangaan, Shangaan Electro, Steve Goodman, Tam Tam Motherland, Tarek Atoui, Tashweesh, Terry Lynn, The Hardcore Continuum, Thementage2012, UK Funky, Veit Erlmann, War, Wayne Marshall, Werner Jauk, Wildlife, World Music 2.0 |
By Norient on October 19, 2010
By Norient on 19 October 2010 in
BLOG
A once-obscure music that enjoyed a fanatic embrace in the _______ slums of _______ has become a full-fledged global occasion.
Posted in BLOG | Tagged Dossier World Music 2.0, Global Ghettotech, Globale Nischen, Wayne Marshall, World Music 2.0 |
By Norient on October 2, 2010
By Norient and Wayne Marshall on 2 October 2010 in
BLOG
Wayne Marshall opened a new discussion on his blog. About World Music, Global Ghettotech and other Genre terms and definitions.
Posted in BLOG | Tagged Dossier World Music 2.0, Global Ghettotech, Globale Nischen, Wayne Marshall, World Music, World Music 2.0 |
By Norient on June 27, 2010
By Wayne Marshall on 27 June 2010 in
STORIES
That beat you’ve been hearing — the steady boom-ch-boom-chick rattling the trunks of passing cars and moving masses in the club — isn’t just another fleeting hip-hop trend. It’s the new sound of the Americas.
Posted in STORIES | Tagged Dem Bow, Dossier World Music 2.0, Globale Nischen, Hybridity, Latin America, New York, Panama, Puerto Rico, reggaeton, Transnationalism, Wayne Marshall, World Music 2.0 |
By Norient on June 13, 2009
By Camilo Rocha on 13 June 2009 in
STORIES
The Brazilian journalist Camilo Rocha interviews the ethnomusicologist, DJ and norient writer Wayne Marshall about the latest musical trends around the globe: Reggaeton, Kwaito, Kuduro, and Grime.
Posted in STORIES | Tagged beat research, Diplo, Global Ghettotech, Globale Nischen, grime, juke, kuduro, kwaito, M.I.A, reggaeton, Wayne Marshall |
By Thomas Burkhalter on March 3, 2009
By Thomas Burkhalter on 3 March 2009 in
BLOG
Alan Bishop from Sublime Frequiencies about natural hybrids and self-conscious ones
Posted in BLOG | Tagged 1960s, Psychedelic Music, Seattle, Sublime Frequencies, Thailand, Wayne Marshall, World Music 2.0 |
By Norient on March 26, 2008
By Camilo Rocha on 26 March 2008 in
STORIES
Most DJs direct their ears to a few musical Meccas in the First World, such as New York, London, Berlin, and Paris. This decade, however, a new category has emerged, globalist DJs who go much further in their musical explorations.
Posted in STORIES | Tagged Diplo, DJ Dolores, DJ Rupture, Dossier World Music 2.0, Ghislain Poirier, Global Ghettotech, Globale Nischen, M.I.A, Maga Bo, Transnationalism, Wayne Marshall, World Music 2.0 |
