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May 24th 2013 norient
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War

Hip-Co – A Cultural Revolution

Hip-Co – A Cultural Revolution

By Norient on October 19, 2011

By Norient on 19 October 2011 in  BLOG

Together Liberia, a platform for Liberian storytellers, tells the story of Hip-Co, a not yet well-known genre.

Posted in BLOG | Tagged Africa, Dossier World Music 2.0, hip-co, hipco, Liberia, Nasseman, Together Liberia, War | Leave a response

Weltmusik 2.0: Zwischen Spass- und Protestkultur

Weltmusik 2.0: Zwischen Spass- und Protestkultur

By Thomas Burkhalter on January 27, 2011

By Thomas Burkhalter on 27 January 2011 in  ACADEMIC

Musiker aus Afrika, Asien und Lateinamerika formulieren selbstbewusste nach-koloniale Positionen. Ihre Parodien auf Exotika und der Fokus auf Gewalt zeigen aber: Alte Abhängigkeiten haben weiterhin Bestand.

Posted in ACADEMIC | Tagged Adham Hafez, Avant-Garde, baile funk, baltimore club, beat research, Beatniks, Beirut, Cairo, Charbel Haber, Checkpoint 303, Cumbia, Cynthia Zaven, detroit ghettotech, Die Antwoord, digitalization, Diplo, DJ Rupture, Dossier Arab World, Dossier World Music 2.0, Dubsided, dubstep, Exotica, Favela Chic, Gazelle, Ghislain Poirier, glitch, Global Ghettotech, Globale Nischen, globalization, grime, Halim al-Daph, Hassan Khan, Jagwa, K'Naan, Kode 9, kuduro, kwaito, Luigi Russolo, M.I.A, Mad Decent, Mahmoud Refat, Major Lazer, Man Recordings, Mazen Kerbaj, Music 2.0, Nortec, Omar Souleyman, Osman Arabi, Outhere Records, Pastiche, postcolonial, postmodern, Raed Yassin, Ramsi Lehner, reggaeton, Schlachthofbronx, Scrambled Eggs, Secousse, Shangaan, Shangaan Electro, Steve Goodman, Tam Tam Motherland, Tarek Atoui, Tashweesh, Terry Lynn, The Hardcore Continuum, Thementage2012, UK Funky, Veit Erlmann, War, Wayne Marshall, Werner Jauk, Wildlife, World Music 2.0 | 11 Responses

“A History of Now”

“A History of Now”

By Norient on January 17, 2011

By Norient on 17 January 2011 in  VIDEO

“You canʼt Download the Sun” sings Asian Dub Foundation in the title track of their new album. They might be back to represent Zeitgeist: media chaos and violence, rock, electro and world music 2.0.

Posted in VIDEO | Tagged A History of Now, ADF, Asian Dub Foundation, Asian Underground, Bhangra, Chandrasonic, CHI2, Dossier World Music 2.0, Global Ghettotech, London, Nathan “Flutebox” Lee, UK, Violence, War | Leave a response

Tarek Atoui: Digital Bricolage

Tarek Atoui: Digital Bricolage

By Norient on September 18, 2010

By Thomas Burkhalter on 18 September 2010 in  STORIES

Reflections on the new multi-local musical Avant-Gardes of the 21st Century. An essay on the Lebanese musician Tarek Atoui, Luigi Russolo, Mazen Kerbaj and many artists more.

Posted in STORIES | Tagged 2006war, Ahmad Qaboor, Arab World, Avant-Garde, Beirut, Christine Sehnaoui, Cynthia Zaven, Dossier Arab World, Dossier World Music 2.0, Futurism, Globale Nischen, Iannis Xenakis, IRCAM, Khaled al-Habre, Lebanon, Luigi Russolo, Marcel Khalife, Mazen Kerbaj, Musique Concrète, Orientalism, Peter Brötzmann, Philemon Wehbe, Psychedelic Music, Raed Yassin, Scrambled Eggs, Sharif Sehnaoui, Tanya Traboulsi, Tarek Atoui, Violence, War, Xardas | 3 Responses

Weltmusik 2.0: Zwischen Spass- und Protestkultur

Weltmusik 2.0: Zwischen Spass- und Protestkultur

By Thomas Burkhalter on July 16, 2010

By Thomas Burkhalter on 16 July 2010 in  STORIES

Die tamilische Sängerin M.I.A. schockt mit ihrem neuen Gewaltvideo. Die Südafrikaner Die Antwoord locken mit Ironie 5 Millionen Besucher auf You-Tube.

Posted in STORIES | Tagged Avant-Garde, baile funk, baltimore club, Cumbia, detroit ghettotech, Die Antwoord, digitalization, Diplo, DJ Rupture, Dossier World Music 2.0, dubstep, Exotica, Gazelle, Ghislain Poirier, glitch, Global Ghettotech, globalization, grime, K'Naan, kuduro, M.I.A, Major Lazer, Music 2.0, Nortec, Omar Souleyman, postcolonial, postmodern, Raed Yassin, reggaeton, Tam Tam Motherland, Tarek Atoui, Terry Lynn, UK Funky, War, Wildlife, World Music 2.0 | 12 Responses

Israeli troops play with popular music in Hebron

Israeli troops play with popular music in Hebron

By Keith Kahn-Harris on July 7, 2010

By Keith Kahn-Harris on 7 July 2010 in  BLOG

Reflections on Metal, Popular Music and Politics in Israel and Palestine.

Posted in BLOG | Tagged Israel, Metal, Middle East, Palestine, Politics, Propaganda, Violence, War | Leave a response

M.I.A. Pop

M.I.A. Pop

By Norient on July 6, 2010

By Norient on 6 July 2010 in  VIDEO

M.I.A., die tamilische Künstlerin aus London, bastelt weiter an ihrer kontrastreichen Weltmusik der Zukunft. Ihr Video “Born Free” wurde in den USA von YouTube genommen.

Posted in VIDEO | Tagged Global Ghettotech, M.I.A, Post-War, Sri Lanka, UK, Violence, War | 10 Responses

War, Propaganda, and Bombs

War, Propaganda, and Bombs

By Thomas Burkhalter on August 28, 2009

By Thomas Burkhalter and Simon Grab on 28 August 2009 in  AUDIO

Musicians from Beirut talk about their sonic memories from the Lebanese Civil War (1975 – 1990) and the 2006 war between Israel and Hizbullah.

Posted in AUDIO | Tagged Amal, Arab World, Charbel Haber, Cyrille Najjar, Death Metal, Dossier Arab World, Garo Gdanian, Hizbullah, Israel, Lebanese Forces, Lebanon, Mazen Kerbaj, Noise, Propaganda, Raed Yassin, Sonic Memory, The Force, Trauma, Violence, War, Weeping Willow | Leave a response

Bombeneinschläge und Vogelgezwitscher

Bombeneinschläge und Vogelgezwitscher

By Thomas Burkhalter on August 18, 2006

By Thomas Burkhalter on 18 August 2006 in  STORIES

Seit dem Bürgerkrieg war Krieg immer ein Thema in der Musik Libanons. Nach den jüngsten Bombenangriffen wurden nun alte antiisraelische Protestlieder hervorgeholt und neu auf CD gebrannt. Die Generation der Musiker, die im Bürgerkrieg aufgewachsen ist, verarbeitet den Lärm von Bomben heute in subkulturellen Sounds.

Posted in STORIES | Tagged 2006, 2006war, Bachir Gemayel, Beirut, Dossier Arab World, Hizbullah, Joelle Khoury, Lebanese Forces, Lebanon, Mazen Kerbaj, Nabih Berry, Nadim Mishlawi, Propaganda, Raed Yassin, War | 1 Response

Danke, dass ich den Krieg noch einmal hören darf

Danke, dass ich den Krieg noch einmal hören darf

By Thomas Burkhalter on July 31, 2006

By Thomas Burkhalter on 31 July 2006 in  STORIES

Beirut hat die lebendigste Musikszene im Nahen Osten. Ihre Lieder erzählen von Bürgerkriegserfahrungen und von der Sehnsucht nach Frieden. Nun liegt das Land in Trümmern. Wie reagieren libanesische Künstler auf die Rückkehr des Krieges?

Posted in STORIES | Tagged 2006war, Beirut, Dossier Arab World, Joelle Khoury, Lebanon, Mazen Kerbaj, Raed Yassin, War, Weeping Willow | Leave a response

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